{"title":"Introduction: Properties of Matter and Performance","authors":"Elizabeth Tavares, Emily Macleod, Laurie Johnson","doi":"10.1080/17450918.2023.2183085","DOIUrl":null,"url":null,"abstract":"Today, Jonny Glynn (playing Warwick/Rakehell) dug out something from a heap in one corner, and said, ‘Tony, isn’t this yours?’ I went over. It was one of the black crutches I’d used as Richard III. A bit dusty and scuffed, but unmistakably the thing itself. God. If I think of all the time and trouble that went into this object: the discussions about whether it was a very good idea or a very bad one – to play him on crutches – the tests to make them strong and safe enough. To say nothing of my investment in that role, my dreams and fears [...] And here it is now, an old prop in a rehearsal room. A timely reminder as I attempt another of Shakespeare’s great roles: it’s not life or death; it’s just theatre, which is ephemeral.","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":"19 1","pages":"1 - 7"},"PeriodicalIF":0.4000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17450918.2023.2183085","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0
Abstract
Today, Jonny Glynn (playing Warwick/Rakehell) dug out something from a heap in one corner, and said, ‘Tony, isn’t this yours?’ I went over. It was one of the black crutches I’d used as Richard III. A bit dusty and scuffed, but unmistakably the thing itself. God. If I think of all the time and trouble that went into this object: the discussions about whether it was a very good idea or a very bad one – to play him on crutches – the tests to make them strong and safe enough. To say nothing of my investment in that role, my dreams and fears [...] And here it is now, an old prop in a rehearsal room. A timely reminder as I attempt another of Shakespeare’s great roles: it’s not life or death; it’s just theatre, which is ephemeral.
期刊介绍:
Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare.