The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020

IF 0.4 3区 文学 0 LITERARY THEORY & CRITICISM
György Túry
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引用次数: 0

Abstract

This article examines the political reception of György Lukács and his students in Viktor Orbán’s Hungary between 2010 and 2020. It argues that Orbán’s autocratic regime has sought to systematically delegitimize Lukács’s person, thought, and legacy in an attempt to consolidate power and usher in a “new cultural era.” The article analyzes three pivotal moments in the Orbán regime’s struggle against Lukács: a 2011 lawsuit accusing Lukács’s intellectual heirs of embezzling research money; a media takedown of Lukács, resulting in the removal of his statue from Budapest in 2017; and the closure of the Lukács Archives in 2018. The article shows that, rather than engage with Lukács’s thought and ideology, the Orbán regime has treated Lukács as an unwanted cultural symbol. It concludes by warning that Orbán’s treatment of Lukács is exemplary of “illiberal democracies” across the world: when ideology is deemed meaningless, culture becomes directly subjugated to political power.
混合政治体制下记忆政治的制度化:2010 - 2020年匈牙利György Lukács的形象、遗产与挪用
本文考察了2010年至2020年期间,György Lukács及其学生在Viktor Orbán统治下的匈牙利的政治接受情况。文章认为,Orbán的独裁政权试图系统性地将Lukács的个人、思想和遗产非法化,以巩固权力并开创一个“新文化时代”。本文分析了Orbán政权与Lukács斗争中的三个关键时刻:2011年指控Lukács知识产权继承人侵吞研究经费的诉讼;媒体关闭了Lukács,导致他的雕像于2017年从布达佩斯移除;以及2018年Lukács档案馆的关闭。这篇文章表明,Orbán政权并没有接受Lukács的思想和意识形态,而是把Lukács当作一个不受欢迎的文化符号。文章最后警告说,Orbán对待Lukács的方式是全世界“非自由民主”的典范:当意识形态被认为毫无意义时,文化就会直接屈从于政治权力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
NEW GERMAN CRITIQUE
NEW GERMAN CRITIQUE LITERARY THEORY & CRITICISM-
CiteScore
0.40
自引率
0.00%
发文量
17
期刊介绍: Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.
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