Voices, faces, places: Life in Frogner

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2020-09-01 DOI:10.1386/JSCA_00031_1

M. Lund

引用次数: 0

Abstract

This examination of Anne Haugsgjerd’s first short film, Livet på Frogner (Life in Frogner) (1986) views it as a postmodern project. In many ways it pioneered an aesthetic mode that became more prominent in Norwegian film decades later – the genre-expanding hybrid film – while also using the female voice-over in new and experimental ways.

查看原文本刊更多论文

声音，面孔，地点:Frogner的生活

本文对安妮·豪格吉德的第一部短片《Frogner的生活》(1986)进行了考察，认为它是一个后现代的项目。在许多方面，它开创了一种美学模式，这种模式在几十年后的挪威电影中变得更加突出——这是一种扩展类型的混合电影——同时也以新的实验性方式使用了女性画外音。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.