Printing Architecture

IF 0.2 4区艺术学 0 ARCHITECTURE

Interiors-Design Architecture Culture Pub Date : 2018-05-04 DOI:10.1080/20419112.2019.1589692

Cristina Nan

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引用次数: 2

Abstract

Over the past decade, architecture as well as other affiliated fields have been exposed to several waves of almost techno-fetishistic exuberance related to emerging technologies. One of these waves has been and still is additive manufacturing. The omnipresence of this topic has almost caused a 3D printing fatigue, as repetitiveness—in terms of both material and form aesthetics— and design related self-referencing started to creep it. Printing Architecture manages to offer a reinvigorating perspective on the subject, extending architecture’s material palette and defying the ‘plastic-fantastic’ association related to 3D printing. The authors, Virginia San Fratello and Ronald Rael, founders of the design practice Emerging Objects, demonstrate a unique material expertise, showcased through innovative material strategies. They use their broad competence to compile a significant contribution to the field of architecture and beyond, by expanding and re-conceptualizing current material landscapes and environments. The declared aim of the authors is ‘to bridge the wide gap that In te rio rs D O I: 10 .1 08 0/ 20 41 91 12 .2 01 9. 15 89 69 2

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打印体系结构

在过去的十年里，建筑以及其他附属领域已经暴露在与新兴技术相关的几波近乎技术恋物癖的热潮中。增材制造业一直是其中的一股浪潮，现在依然如此。这个主题的无处不在几乎引起了3D打印的疲劳，因为在材料和形式美学方面的重复性以及与设计相关的自我参考开始蔓延。印刷建筑设法为这个主题提供了一个充满活力的视角，扩展了建筑的材料调色板，挑战了与3D打印相关的“塑料幻想”联想。作者Virginia San Fratello和Ronald Rael是设计实践Emerging Objects的创始人，他们展示了独特的材料专业知识，并通过创新的材料策略进行了展示。他们利用自己的广泛能力，通过扩展和重新概念化当前的物质景观和环境，为建筑及其他领域做出了重大贡献。作者所宣称的目标是“弥合《经济学人》一书中的巨大差距：10.1080/204119112.2019。15 89 69 2

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来源期刊

Interiors-Design Architecture Culture ARCHITECTURE-

CiteScore

0.20

自引率

0.00%

发文量