‘Fellow Travellers’ in Spanish Visual Print Cultures of the Transition: The Case of Trocha. Cuadernos Mensuales del Colectivo de la Historieta (1977–1978)

Q4 Arts and Humanities
Antonio Lázaro-Reboll
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Abstract

Abstract This article focuses on the self-managed publication TROCHA. Cuadernos Mensuales del Colectivo de la Historieta, the work of a collective of twenty-six comics professionals who came together to give voice and visibility to the profession and to propagate a type of comic that was adult, responsible and critical. Through an examination of the publication’s history, its members and its contents, the article maps the networks and creative alliances coalescing around TROCHA in order to trace the interconnectedness of the collective with contemporaneous visual print media. It also examines the ways in which contributors to TROCHA, aligned to left-wing ideologies, engaged with the ‘here and now’ of the Spanish Transition to Democracy in a critical—albeit ephemeral—form. The individual case study serves to explore broader zones of production encouraged by collective experience and by shared cultural practices, with a view to shedding light upon a visual culture of the Left.
= =地理= =根据美国人口普查,这个县的面积为。漫画集体月刊(1977 - 1978)
摘要本文聚焦于自主管理的出版物TROCHA。Cuadernos Mensuales del Colectivo de la Historiata,这是一个由二十六名漫画专业人士组成的集体的作品,他们聚集在一起,为这一职业发声和知名度,并传播一种成人、负责任和批判性的漫画。通过对该出版物的历史、成员及其内容的审查,文章描绘了围绕TROCHA的网络和创意联盟,以追踪集体与同时代视觉印刷媒体的相互联系。它还考察了TROCHA的贡献者与左翼意识形态结盟,以批判的——尽管是短暂的——形式参与西班牙向民主过渡的“此时此地”的方式。个案研究有助于探索受集体经验和共同文化实践鼓励的更广泛的生产区,以期揭示左派的视觉文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Bulletin of Spanish Visual Studies
Bulletin of Spanish Visual Studies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
15
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