‘Shopping List’

Q2 Arts and Humanities
Amy Lilwall, Rupert Loydell
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引用次数: 0

Abstract

Are the unnamed characters who write and respond to these post-it notes flatmates or lovers, friends or acquaintances? Is their relationship as fractious as this prose suggests, or does each note hold something deeper, a series of signs and indicators that gradually reveal affection between the two characters? The medium, somewhat outdated in our digital world, suggests fleeting exchanges, ships that pass in the night, all the while signalling shared space, shared responsibilities and shared lives. The implied story is as complex as the reader wants to make it, as the authors themselves use this brief epistolary form as a prompt for contemplating the mundanity of relationships, the emotional manoeuvring, assumed subtexts and back-stories of each and every moment or event. The authors are a novelist and a poet, writers each involved in their own relationships, colleagues interested in collaboration and new forms. Who is the third voice (or third and fourth voices) this dialogue has created? The story has led Lilwall and Loydell to writing the unexpected, responding to each other’s prose and shopping items in turn, surprising each other and themselves, before refining and editing the work together.
'购物清单'
写并回复这些便利贴的未命名角色是室友还是爱人、朋友还是熟人?他们的关系是像这篇散文所暗示的那样难以调和,还是每一个音符都包含着更深层次的东西,一系列迹象和指标逐渐揭示了两个角色之间的感情?这种媒介在我们的数字世界中有些过时,它暗示着短暂的交流,夜晚经过的船只,同时发出共享空间、共享责任和共享生活的信号。隐含的故事就像读者想要的那样复杂,因为作者自己也使用这种简短的书信体形式来思考关系的世俗性、情感操纵、假设的潜台词和每一个时刻或事件的背景故事。作者是小说家和诗人,每个人都参与自己的关系,对合作和新形式感兴趣的同事。谁是这场对话创造的第三个声音(或第三和第四个声音)?这个故事让Lilwall和Loydell写下了意想不到的东西,依次回应对方的散文和购物物品,让对方和自己都感到惊讶,然后共同完善和编辑作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Short Fiction in Theory and Practice
Short Fiction in Theory and Practice Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
13
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