At the Turn of the Century: Professional Secrets of Lviv Designers

O. Tsymbaliuk
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引用次数: 0

Abstract

The purpose of the work is to investigate the conditions of the designers’ creative work at the Lviv Art and Production Plant in the socially critical period of the late 1980s and the early 1990s, to identify the features of technological processes in design and layout in the absence of basic professional materials, raw materials and tools. The research methodology lies in studying the scientific literature on the socio-cultural environment features of the Soviet period of the second half of the twentieth century and gathering information by interviewing a former design team member. The scientific novelty of the research is the introduction of the design activity experience of the artists and designers’ creative group and the cooperative “Artes” during 1988-1991 into scientific circulation; its coverage from the inside of the work process. Conclusions. The results of the study capture the unique experience of a group of Lviv designers at the art plant, who, in difficult ideological and material constraints, were able to implement a large number of projects, ranging from the development of machine housings for industrial production and ending with small printing products. An important factor is the compliance of their unique design products with world parameters from a technical and aesthetic point of view, and the use of certain methods and technologies indicates the process of comparison with world achievements in the field of design.
世纪之交:利沃夫设计师的职业秘密
这项工作的目的是调查20世纪80年代末和90年代初利沃夫艺术与生产厂设计师在社会关键时期的创造性工作条件,以确定在缺乏基本专业材料、原材料和工具的情况下设计和布局的技术过程特征。研究方法是研究关于20世纪下半叶苏联时期社会文化环境特征的科学文献,并通过采访一名前设计团队成员来收集信息。该研究的科学新颖性是将1988-1991年艺术家和设计师创意小组以及合作“Artes”的设计活动经验引入科学流通;它从工作流程的内部进行覆盖。结论。这项研究的结果捕捉到了利沃夫艺术工厂一群设计师的独特经验,他们在困难的思想和材料限制下,能够实施大量项目,从开发用于工业生产的机器外壳到最终推出小型印刷产品。一个重要因素是,从技术和美学的角度来看,他们独特的设计产品符合世界参数,而某些方法和技术的使用表明了与世界设计领域成就的比较过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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