Dar luogo a ciò che non ha luogo: utopia e prototyping

IF 0.1 4区 哲学 0 PHILOSOPHY
R. Ríspoli, Ester Jordana Lluch
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引用次数: 0

Abstract

The purpose of this paper is to re-explore the relationship between utopia and architecture, trying first and foremost to challenge the way utopia has been conceived by architectural thought: i.e., as the prefiguration of a future seen as an ‘otherness’ distinct from the present, as far as the totality of its spatial, social, and political dimensions are concerned. Such vision – as we will argue – turns out to be deeply linked to a design logic of ‘projection’ and ‘prescription’; this, however, is not the only possible logic of design. Through a reflection upon some contemporary architectural practices, we will try to highlight a new horizon for design action, in which even utopia abandons its traditional ‘projective’ role and takes on a new meaning: rather than being the non-place of a possible future, utopia stands for what doesn’t have place in the present but can emerge from its alteration. Such notion of utopia as a form of ‘situated critique’, in a concrete space and time, helps to dig more deeply into the political potential of many contemporary forms of architectural and urban design.
引发没有发生的事情:乌托邦和原型
本文的目的是重新探索乌托邦和建筑之间的关系,首先试图挑战建筑思想对乌托邦的设想方式:即,就其空间、社会和政治维度的整体而言,乌托邦是一个被视为与现在不同的“另类”的未来的预启。正如我们将要争论的那样,这种愿景与“投影”和“处方”的设计逻辑紧密相连;然而,这并不是设计的唯一可能逻辑。通过对一些当代建筑实践的反思,我们将试图突出一个设计行动的新视野,在这个视野中,即使是乌托邦也放弃了传统的“投射”角色,赋予了一种新的意义:乌托邦代表的不是一个可能的未来,而是一个在当下没有立足之地,但可以从它的改变中出现的东西。这种乌托邦概念作为一种“情境批判”形式,在具体的空间和时间中,有助于更深入地挖掘许多当代建筑和城市设计形式的政治潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Rivista di Estetica
Rivista di Estetica PHILOSOPHY-
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
30 weeks
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