The Parisian department store as a paradigmatic place for interactions between tourism and shopping: the production of a heterotopia

BELGEO Pub Date : 2020-01-01 DOI:10.4000/belgeo.43367
Vincent Coëffé, Jean-René Morice
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引用次数: 1

Abstract

The aim of this article is to analyze the department store as a paradigmatic place, through the concept of heterotopia, here produced by the interactions between tourism and shopping in Paris. Whereas Michel Foucault had not evoked the department store in his theory of heterotopia, this article not only allows to enrich the concept by including the consumer places, but above all, it provides a renewal of its geographical approach. The spatial dynamic of the Parisian department store enlightens the fact that it remains a heterotopia whereas some characteristics of the place have changed. Indeed, the department store has been subject to touristification since its invention and was conceived as a heterotopia playing on the continuities and discontinuities with the Parisian space. While this heterotopia from the second half of the 19th century was based on the monumentality of space and a sense of exoticism linked to orientalist imagination for French visitors mainly, the rapid globalization of the department store and an increase in its international tourism development have partially transformed its layout in recent decades. Heterotopia as a place imagined as something “other”, still works through the aim of creating spectacle, but this is now achieved by luxury brands through the dialogism of identity and otherness, the exploitation of the past through heritagization and the enhancement of the creations for visitors in search of authenticity embodied by the French art of living.
巴黎百货公司作为旅游和购物互动的典范:异托邦的产生
本文的目的是通过异托邦的概念来分析百货商店作为一个典型的场所,它是由巴黎旅游和购物之间的互动产生的。尽管米歇尔·福柯在他的异托邦理论中没有提到百货商店,但这篇文章不仅通过包括消费场所来丰富这一概念,而且最重要的是,它提供了对其地理方法的更新。巴黎百货公司的空间动态揭示了一个事实,即它仍然是一个异托邦,而这个地方的一些特征已经改变。事实上,百货公司自发明以来就一直受到旅游化的影响,并被认为是一个利用巴黎空间的连续性和不连续性的异托邦。尽管19世纪下半叶的这个异托邦主要是基于法国游客对空间的纪念性和与东方主义想象相关的异国情调,但近几十年来,百货公司的快速全球化及其国际旅游业发展的增加在一定程度上改变了其布局。异托邦作为一个被想象成“其他”的地方,仍然通过创造奇观的目的来实现,但现在奢侈品牌通过身份和另类的对话、通过继承利用过去以及增强游客的创作以寻求法国生活艺术所体现的真实性来实现这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
BELGEO
BELGEO Social Sciences-Geography, Planning and Development
CiteScore
0.70
自引率
0.00%
发文量
20
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