Introduction to the special issue on socio-cultural role of technology in digital musical instruments

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-03-15 DOI:10.1080/09298215.2021.1907421

Koray Tahiroglu, Thor Magnusson

引用次数: 3

Abstract

ABSTRACT This special issue, arising from a symposium in Helsinki in 2019, presents contributions from a diverse group of practitioners, representing a broad range of approaches in the making, thinking and writing about digital musical instruments. The authors consider the socio-cultural role of technology in current and emerging digital music practices with changing social roles, historical and critical reflections. This introduction explains the context and motivation for the issue and summarises the contribution of each of the eight articles. Together they provide what we believe is a unique contribution to the research of new interfaces for musical expression and related areas.

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关于技术在数字乐器中的社会文化作用的特刊介绍

摘要本期特刊于2019年在赫尔辛基举行的一次研讨会上，介绍了不同从业者的贡献，代表了数字乐器制作、思考和写作的广泛方法。作者考虑了技术在当前和新兴数字音乐实践中的社会文化作用，以及不断变化的社会角色、历史和批判性反思。这篇引言解释了这一问题的背景和动机，并总结了八篇文章中每一篇的贡献。它们共同为音乐表达和相关领域的新界面研究做出了我们认为的独特贡献。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.