Recitações: Bandolim de Adília Lopes

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Diana Duarte Ferreira
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引用次数: 0

Abstract

Borrowing the notion of “projet d’ensemble” from Roland Barthes’s Critique et verite, this essay proposes a critical analysis of Adilia Lopes’s Bandolim (2016). Two of the procedures that configure the book’s interior are outlined on the cover: text as sound and text as image. The metaphor of the mandolin and its performative demands relates to Eliot’s ideas about tradition and individuality and describes Lopes’s approach to poetry. Through a close reading of poems in the collection, I argue that Bandolim performs on the infinity of unity while representing the unity of infinity.
朗诵:阿迪莉亚·洛佩斯的Bandolim
借用罗兰·巴特的《批判与真理》中的“整体计划”概念,本文对阿迪利亚·洛佩斯的《班多林》(2016)进行了批判性分析。书的封面上概述了配置书内部的两个步骤:文本作为声音和文本作为图像。曼陀林及其表演要求的隐喻与艾略特关于传统和个性的思想有关,也描述了洛佩斯的诗歌方法。通过对诗集中的诗歌的仔细阅读,我认为班多林在表现无限的统一的同时,也表现了统一的无限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Lusophone Studies
Journal of Lusophone Studies Arts and Humanities-Literature and Literary Theory
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0.10
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审稿时长
20 weeks
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