{"title":"Walking through: nostalgia, Mythogeography and the Rural Dérive in Peter Riley’s Alstonefield","authors":"Sam Kemp","doi":"10.1080/14790726.2022.2025851","DOIUrl":null,"url":null,"abstract":"ABSTRACT Landscape poet Peter Riley uses the Situationist dérive in order to negotiate the cultural landscape of the British countryside, his collection Alstonefield (2002) forming a psychogeographic investigation into spaces of nostalgia, contradiction and pastoralism in British ruralism. This essay will argue that Riley adapts the urban dérive for a contemporary rural landscape, exploring the radicalisms of pastoral tropes and exposing the spectacle in British rural perceptions. Using the framework of Phil Smith Mythogeography, a contemporary theatrical adaption of the Situationist dérive, my aim is to explore the role of walking as a negotiation of rural spectacle within the wider Radical Landscape Poetry movement.","PeriodicalId":43222,"journal":{"name":"New Writing-The International Journal for the Practice and Theory of Creative Writing","volume":"20 1","pages":"99 - 110"},"PeriodicalIF":0.4000,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Writing-The International Journal for the Practice and Theory of Creative Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14790726.2022.2025851","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Landscape poet Peter Riley uses the Situationist dérive in order to negotiate the cultural landscape of the British countryside, his collection Alstonefield (2002) forming a psychogeographic investigation into spaces of nostalgia, contradiction and pastoralism in British ruralism. This essay will argue that Riley adapts the urban dérive for a contemporary rural landscape, exploring the radicalisms of pastoral tropes and exposing the spectacle in British rural perceptions. Using the framework of Phil Smith Mythogeography, a contemporary theatrical adaption of the Situationist dérive, my aim is to explore the role of walking as a negotiation of rural spectacle within the wider Radical Landscape Poetry movement.