Matter Poetics, Melange and the Lichenised Posthuman: How artists and writers present visions of an inter-connected life between man and non-human others in the age of the Anthropocene and Method/s for Hereafter
{"title":"Matter Poetics, Melange and the Lichenised Posthuman: How artists and writers present visions of an inter-connected life between man and non-human others in the age of the Anthropocene and Method/s for Hereafter","authors":"Hat Fidkin","doi":"10.1386/jwcp_00040_3","DOIUrl":null,"url":null,"abstract":"If Matter Poetics, Melange and the Lichenised Posthuman is a universal examination of the interconnected fragments of life, Method/s for Hereafter is a far more personal look into what has transpired in the artist’s life since the original submission of the first essay. Fidkin uses their theory of Matter Poetics as a tool for processing grief, experiencing pleasure, suffering and sickness, and understanding their ever-evolving existence and connection to the more-than-human. Events – both poignant and inconsequential – are scrutinized at a molecular level, attempting to draw parallels between rhizomatic thinking and personal adversity and joy.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Writing in Creative Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jwcp_00040_3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
If Matter Poetics, Melange and the Lichenised Posthuman is a universal examination of the interconnected fragments of life, Method/s for Hereafter is a far more personal look into what has transpired in the artist’s life since the original submission of the first essay. Fidkin uses their theory of Matter Poetics as a tool for processing grief, experiencing pleasure, suffering and sickness, and understanding their ever-evolving existence and connection to the more-than-human. Events – both poignant and inconsequential – are scrutinized at a molecular level, attempting to draw parallels between rhizomatic thinking and personal adversity and joy.