Some Notions of the Concepts of ‘Fear’ and ‘Laughter’ in Selected Works of Dostoevsky: Challenges and Evocations … 

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
I. Ruzhitsky
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引用次数: 0

Abstract

ABSTRACT Dostoevsky is often perceived as being both gloomy and unsociable, and, indeed, there are many justifiable reasons for this view of the writer. For example, many deaths occur throughout his works but there are also many other events described which may make Dostoevsky’s readers experience fear – namely the actual discovery of fear itself. This present article attempts to challenge such a view of Dostoevsky and his creative works, by using some lexicographical data, including experimental ones, and thereby to show that the concept of ‘laughter’ in Dostoevsky's thesaurus occupies no less an important place than does the concept of ‘fear’. Moreover, these notions are often interrelated as will be shown by the overlapping of the corresponding semantic fields in the textual space of two of Dostoevsky's major novels, namely in Crime and Punishment and in The Demons.
《陀思妥耶夫斯基选集》中“恐惧”与“笑”概念的若干概念:挑战与启示……
陀思妥耶夫斯基经常被认为是阴郁而孤僻的,事实上,这种看法有很多正当的理由。例如,他的作品中出现了许多死亡事件,但也有许多其他事件的描述可能使陀思妥耶夫斯基的读者体验到恐惧——即真正发现恐惧本身。本文试图通过使用一些词典编纂数据(包括实验数据)来挑战对陀思妥耶夫斯基及其创造性作品的这种看法,从而表明“笑”的概念在陀思妥耶夫斯基的同义词典中占据的重要地位不亚于“恐惧”的概念。此外,这些概念往往是相互关联的,陀思妥耶夫斯基的两部主要小说,即《罪与罚》和《魔鬼》,在文本空间中相应的语义场的重叠就表明了这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
SLAVONICA
SLAVONICA HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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发文量
9
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