Patricia Carpenter in Commemoration

C. Hatch, Dineen, J. P. Walsh, Jo-Ann Reif, Murray, Peter Schubert
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引用次数: 1

Abstract

Patricia Carpenter (1923-2000) studied with Arnold Schoenberg for seven years (1942-1949) at UCLA and in private lessons. This experience proved crucial for her later research, teaching, and writing. Carpenter taught music theory at Barnard College and Columbia University from 1961-1989. The publication of the following two articles celebrates the 2004 renaming of the Music Theory Society of New York State's Young Scholar Award after Professor Carpenter. The previously unpublished paper, "Schoenberg's Tonal Body," was the keynote address at the 1988 MTSNYS conference. "The Piano Music of Arnold Schoenberg" is an early article (1961) that appeared in The Piano Quarterly} Those interested in Schoenberg's concepts of Grundgestalt, developing variation, and the Musical Idea, in both the tonal and post-tonal repertoire, will find these articles helpful. Both essays apply these notions concretely to music, including the first movement of Brahms 's Piano Quartet in C minor, op. 60 and Schoenbeig's piano pieces op. 1 1, no. 2 and op. 25. The following remarks are meant to introduce the kind of endeavor we believe Pat Carpenter was doing in these and her other writings.
帕特丽夏·卡彭特纪念活动
帕特里夏·卡彭特(1923-2000)在加州大学洛杉矶分校跟随阿诺德·勋伯格学习了七年(1942-1949),并在私人课程上学习。这段经历对她后来的研究、教学和写作至关重要。1961年至1989年,卡彭特在巴纳德学院和哥伦比亚大学教授音乐理论。以下两篇文章的发表是为了庆祝2004年纽约州音乐理论学会青年学者奖以卡彭特教授的名字重新命名。之前未发表的论文“勋伯格的调性体”是1988年MTSNYS会议的主题演讲。“阿诺德·勋伯格的钢琴音乐”是一篇早期的文章(1961年),发表在《钢琴季刊》上。那些对勋伯格在调性和后调性曲目中的基本形态、发展变奏和音乐理念的概念感兴趣的人会发现这些文章很有帮助。这两篇文章都将这些概念具体地应用到音乐中,包括勃拉姆斯C小调钢琴四重奏的第一乐章,作品60和舍恩贝格的钢琴作品作品11。2和op. 25。下面的评论是为了介绍我们认为帕特·卡朋特在这些和她的其他作品中所做的努力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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