Dance to your own drum: Identification of musical genre and individual dancer from motion capture using machine learning

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Emily Carlson, Pasi Saari, Birgitta Burger, P. Toiviainen
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引用次数: 23

Abstract

ABSTRACT Machine learning has been used to accurately classify musical genre using features derived from audio signals. Musical genre, as well as lower-level audio features of music, have also been shown to influence music-induced movement, however, the degree to which such movements are genre-specific has not been explored. The current paper addresses this using motion capture data from participants dancing freely to eight genres. Using a Support Vector Machine model, data were classified by genre and by individual dancer. Against expectations, individual classification was notably more accurate than genre classification. Results are discussed in terms of embodied cognition and culture.
跟着自己的鼓跳舞:使用机器学习从动作捕捉中识别音乐类型和舞者个体
机器学习已被用于根据音频信号的特征准确分类音乐类型。音乐类型,以及较低层次的音乐音频特征,也被证明会影响音乐诱发的运动,然而,这些运动在多大程度上是特定于音乐类型的,还没有被探索。目前的论文利用参与者自由跳舞的八种体裁的动作捕捉数据来解决这个问题。使用支持向量机模型,将数据按类型和个人舞者进行分类。出乎意料的是,个体分类明显比类型分类更准确。结果从具身认知和文化的角度进行了讨论。
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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