History of a book: Hildegard of Bingen's ‘Riesencodex’ and World War II

IF 0.5 1区 艺术学 0 MEDIEVAL & RENAISSANCE STUDIES
Jennifer Bain
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引用次数: 1

Abstract

ABSTRACT Only two large collections of Hildegard of Bingen's music are extant, today housed in the Katholieke Universiteit in Leuven (B-LVu, no shelf number) and in the Hochschul-und Landesbibliothek RheinMain in Wiesbaden (D-WI1 2, the so-called ‘Riesencodex’). The Riesencodex, though, was almost lost during World War II. It survived both bombing and plundering in Dresden in February 1945, only to be appropriated by the Soviet Administration in 1947. Using archival records from the Hessisches Hauptstaatsarchiv in Wiesbaden from the 1940s and 1950s, I detail the efforts of a number of people to retrieve the manuscript after the war and bring it back to Wiesbaden. Franz Götting, the director of the Wiesbaden library, spent several years trying to recover the manuscript through official channels. Its eventual return to Wiesbaden in 1948, however, came about surreptitiously, largely through the efforts of Margarete Kühn at the German Academy in East Berlin and an American woman, Caroline Walsh, in Berlin as a military spouse.
一本书的历史:宾根的希尔德加德的《Riesencodex》和第二次世界大战
摘要:宾根音乐的希尔德加德只有两大收藏,分别存放在鲁汶的Katholieke大学(B-LVu,无架号)和威斯巴登的RheinMain大学(D-WI12,即所谓的“Riesencodex”)。然而,《里森法典》在第二次世界大战期间几乎失传。1945年2月,它在德累斯顿的轰炸和掠夺中幸存下来,但在1947年被苏联政府征用。我利用20世纪40年代和50年代威斯巴登Hessisches Hauptstaatsarchiv的档案记录,详细介绍了战后许多人为取回手稿并将其带回威斯巴登所做的努力。威斯巴登图书馆馆长Franz Götting花了几年时间试图通过官方渠道找回手稿。然而,它最终于1948年返回威斯巴登是秘密的,主要是通过东柏林德国学院的Margarete Kühn和作为军人配偶在柏林的美国女性Caroline Walsh的努力。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
15
期刊介绍: Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.
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