Representing trans: visibility and its discontents

IF 0.7 4区 文学 Q3 CULTURAL STUDIES
Anson Koch-Rein, Elahe Haschemi Yekani, J. Verlinden
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引用次数: 22

Abstract

ABSTRACT In this introduction to the special issue Representing Trans, the authors reflect on the radical changes in trans representation between the early 1990s and the present. Through brief reflections on Pose (2018-) and other landmark examples of trans representation in film and television, the authors show how these changes attest to complex interrelations between visibility, recognition, and violence. Beyond the realm of film and television, the introduction also discusses broader media representations that connect the question of visibility to political debates and the regulation of public spaces. Highlighting a variety of trans theorical engagements with different forms of mediality (including literature), the authors propose a more expansive understanding of trans as a reading practice as well as a method of analysing and transing medial forms.
代表跨性别:可见性及其不满
摘要在《代表跨性别者》特刊的引言中,作者反思了20世纪90年代初至今跨性别代表性的根本变化。通过对Pose(2018-)和其他具有里程碑意义的电影和电视跨性别代表性例子的简要反思,作者展示了这些变化如何证明可见性、认可度和暴力之间的复杂相互关系。除了电影和电视领域,引言还讨论了更广泛的媒体表现,将可见性问题与政治辩论和公共空间监管联系起来。作者强调了各种具有不同媒介形式(包括文学)的跨理论参与,提出了对跨文学作为一种阅读实践的更广泛理解,以及分析和转换媒介形式的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
20.00%
发文量
17
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