Burgundian Sword Ritual: Charismatic and Regnal Authority at the Funeral of Philip the Good in Bruges, 1467

Q3 Arts and Humanities
Andrew W. Murray
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引用次数: 0

Abstract

Charles the Bold claimed sovereignty resided in his personal body and was legitimised by his virtues, especially that of justice. It has been debated whether these ideas were influenced by Humanism and if he can be described as a ‘Renaissance prince’. This problem can be addressed through an analysis of Burgundian funerary ceremonies. During Charles’s rule, such events were inspired by the French example of sacral monarchy. This article takes as a case study Philip the Good’s funeral in Bruges in 1467, at which Charles was presented with a sword lifted from his father’s coffin. This ritual allowed Charles to compare his authority to that of a king’s by stating that, despite the reality of his ducal status, he inherited his father’s lands as a unity and at the same moment. However, borrowing the term from Susan Reynolds, this ritual communicated a general ‘regnal’ status rather than a specifically ‘regal’ one because, unlike royal funerary ceremonies, it conflated Charles’s official and individual persona, claiming legitimacy more through personal charisma than accepted laws and traditions. The importance Charles gave to his virtues and persona was therefore primarily due to his status as a regnal prince aspiring to monarchy.
勃艮第剑礼:1467年布鲁日菲利普大帝葬礼上的魅力和权威
大胆的查理声称主权存在于他的个人身体中,并通过他的美德,尤其是正义来合法化。这些想法是否受到人文主义的影响,以及他是否可以被描述为“文艺复兴时期的王子”,一直存在争议。这个问题可以通过对勃艮第葬礼仪式的分析来解决。在查理统治期间,这类事件受到了法国圣职君主制的启发。本文以1467年腓力二世在布鲁日举行的葬礼为例,在葬礼上,查尔斯从他父亲的棺材中取出一把剑。这一仪式使查理能够将自己的权力与国王的权力进行比较,尽管他的公爵身份是现实,但他同时继承了父亲的土地。然而,借用苏珊·雷诺兹的术语,这种仪式传达了一种普遍的“帝王”地位,而不是特定的“帝王”地位,因为与皇家葬礼仪式不同,它将查尔斯的官方和个人形象混为一谈,更多地通过个人魅力而不是公认的法律和传统来宣称合法性。因此,查尔斯对自己的美德和人格的重视主要是由于他作为一个渴望君主制的君主的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Court Historian
Court Historian Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
14
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