Metamodern Engagement and Micropower in Lissa Evans’s Wed Wabbit

IF 0.1 0 LITERATURE
Nurul Fateha
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引用次数: 0

Abstract

Abstract:This article examines the implication of metamodern engagement for the emergence of micropowers in times of political instability, as portrayed in Lissa Evans’s Wed Wabbit (2017). Metamodernism is a cultural sensibility that reacts to the sense of anxiety that springs from crises through qualities such as engagement and affect. As micropowers who are engaged—but also aware of their limitations—the Wimbley Woos (or the Wimblies) learn to use their own strengths to work together, with a singular aim, namely, to get rid of the tyrant and restore order to their society. The use of metamodernism in this article is based on the premise that children’s literature has responded to ideas associated with metamodernism but has not been given due attention. In this metamodern reading on the Wimblies’ engagement, I posit that Wed Wabbit addresses the changing patterns of engagement in current times and embodies the transformative capacity of children’s literature by subverting power structures in its expressions of metamodernism as a cultural sensibility that has emerged in response to intensified political instabilities.
Lissa Evans的《Wed Wabbit》中的元现代参与和微权力
摘要:本文考察了元现代参与对政治不稳定时期微大国出现的影响,正如丽莎·埃文斯(Lissa Evans)在《Wed Wabbit》(2017)中所描述的那样。元现代主义是一种文化敏感性,它通过参与和情感等品质对危机产生的焦虑感做出反应。温布利伍斯(又称“温布尔因”)作为参与其中的小势力——但也意识到自己的局限性——学会利用自己的力量共同努力,为了一个单一的目标,即摆脱暴君,恢复社会秩序。本文使用元现代主义是基于这样一个前提,即儿童文学对与元现代主义相关的思想做出了回应,但没有得到应有的重视。在这篇关于《盟员》参与的元现代阅读中,我认为《女兔子》讲述了当前时代参与模式的变化,并体现了儿童文学的变革能力,通过颠覆权力结构,表达了作为一种文化敏感性的元现代主义,这种文化敏感性是为了应对日益加剧的政治不稳定而出现的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
38
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