The Psychoanalysis of Music Improvisation: A Phenomenological Qualitative Study

Rhett-Lawson Mohajer, T. Zolnikov
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Abstract

Research shows that clinicians use music, either as music therapy or as an adjunct to talk therapy, in providing treatment to patients with a history of trauma, ones struggling with depression and anxiety, as well as in treating patients whose diseases have organic etiologies. However, the endopsychic structural permutations as the result of encountering music are understudied. The unique qualities of psychoanalysis mean researchers can use it as a tool to study unconscious transmutations and processes. The purpose of this phenomenological qualitative research was to understand the endopsychic structure changes during and after music improvisation based on the subjective experiences of 20 adult individuals. The researcher used unstructured interviews. The results show that participants moved toward partial ego positions during improvisation and felt whole after the intense moments of improvisation that involved the experience of heightened emotions. The research result can help inform treating patients with an array of psychological disorders including personality disorders and eating disorders.
音乐即兴创作的精神分析:现象学定性研究
研究表明,临床医生使用音乐作为音乐治疗或谈话治疗的辅助手段,为有创伤史的患者、与抑郁和焦虑作斗争的患者提供治疗,以及治疗有器质性病因的患者。然而,由于遇到音乐而导致的内在心理结构变化却没有得到充分的研究。精神分析的独特性质意味着研究人员可以将其作为研究无意识嬗变和过程的工具。这项现象学定性研究的目的是基于20名成年个体的主观体验,了解音乐即兴创作期间和之后的内在心理结构变化。研究人员使用了非结构化访谈。结果表明,参与者在即兴创作过程中倾向于部分自我位置,在经历了情绪高涨的激烈即兴创作后,他们会感到完整。这项研究结果可以帮助治疗一系列心理障碍的患者,包括人格障碍和饮食障碍。
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