Fighting Fascism with ‘Verbal Bullets’: Kaji Wataru and the Antifascist Struggle in Wartime East Asia

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY
Fascism Pub Date : 2020-12-21 DOI:10.1163/22116257-09010006
Edwin Michielsen
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引用次数: 0

Abstract

This article examines the cultural production of Kaji Wataru, founder of the Zaika Nihonjinmin hansen dōmei [Japanese People’s Antiwar League in China] to illuminate what strategies Kaji used to train prisoners-of-war and to convert Japanese soldiers as a way to counter fascism during the second Sino-Japanese War (1937–1945). Scholars have tended to focus on unravelling the history surrounding Kaji Wataru and the Antiwar League. In doing so, they have often overlooked the constructive role his cultural works played in that history and in his antiwar thought. The author aims to show how Kaji’s reportage works, and plays, were the very media he used to develop and execute his antifascist visions and activities. The focus is on three reportage works and one play that best reflect Kaji’s antifascist strategies. Analyzing the texts, the author highlights descriptions dealing with the organization and activities of the Antiwar League as well as the cooperation with the Chinese resistance as part of the popular front in East Asia.
用“口头子弹”对抗法西斯主义:渡川佳治与战时东亚的反法西斯斗争
本文考察了日本人民反战同盟会(Zaika Nihonjinmin hansen dōmei)创始人渡渡嘉治(Kaji Wataru)的文化生产,以阐明在第二次中日战争(1937–1945)期间,作为反法西斯的一种方式,加治使用了哪些策略来训练战俘和改造日本士兵。学者们倾向于解开围绕渡渡佳治和反战联盟的历史。在这样做的过程中,他们经常忽视他的文化作品在那段历史和他的反战思想中发挥的建设性作用。作者旨在展示Kaji的报告文学作品和戏剧是他用来发展和执行反法西斯愿景和活动的媒体。重点是三部报告文学作品和一部最能反映Kaji反法西斯策略的戏剧。通过对文本的分析,作者重点描述了反战同盟的组织和活动,以及作为东亚人民阵线一部分与中国抵抗运动的合作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Fascism
Fascism HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
审稿时长
20 weeks
期刊介绍: Fascism publishes peer-reviewed (double blind) articles in English, mainly but not exclusively by both seasoned researchers and postgraduates exploring the phenomenon of fascism in a comparative context and focusing on such topics as the uniqueness and generic aspects of fascism, patterns in the causal aspects/genesis of various fascisms in political, economic, social, historical, and psychological factors, their expression in art, culture, ritual and propaganda, elements of continuity between interwar and postwar fascisms, their relationship to national and cultural crisis, revolution, modernity/modernism, political religion, totalitarianism, capitalism, communism, extremism, charismatic dictatorship, patriarchy, terrorism, fundamentalism, and other phenomena related to the rise of political and social extremism.
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