Slowing and Stilling: Gardening and Releasing

IF 0.2 0 DANCE

Journal of Dance & Somatic Practices Pub Date : 2019-12-01 DOI:10.1386/jdsp_00006_1

P. Hudson

引用次数: 0

Abstract

Abstract This article will share the early stages of a research project about gardening and dance/embodiment, one that examines ideas of practice, activities and art. It is fragile, and a disclosing of a process in a way that we do not normally share: so often our writing is after a project or piece of research or art is completed. I am curious about the gentleness and vulnerability of revealing the first phase of something, of asking questions that are ongoing and not yet answered. I am also aware of an expanding of focus in my own life and work from dance to gardening, with all of the in-betweenness, processes and connections of that.

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慢下来和静止:园艺和释放

摘要本文将分享一个关于园艺和舞蹈/化身的研究项目的早期阶段，该项目考察实践、活动和艺术的想法。它是脆弱的，是以一种我们通常不会分享的方式揭示一个过程：我们的写作往往是在一个项目、一项研究或艺术完成之后。我对揭示事物的第一阶段，提出正在进行但尚未回答的问题的温柔和脆弱感到好奇。我也意识到，在我自己的生活和工作中，从舞蹈到园艺，所有的中间环节、过程和联系都在不断扩大。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Dance & Somatic Practices DANCE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.