Augmented Reality Advertising in Entertainment Programming: An Exploration Across Cultures

IF 1.5 Q2 COMMUNICATION
Hui-Fei Lin, H. Tsai, Benjamin Yeo
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引用次数: 0

Abstract

Augmented reality (AR) ads in entertainment programming are fairly new and not extensively studied. Given the lack of precedence, this exploratory study applies the Limited-Capacity Model and Schema Congruity Theory (SCT) to examine their advertising effects. We used a 2 (type of product placement: title sponsorship placement vs. background placement) × 2 (congruence with the characteristics of the programme: congruent vs. incongruent) × 2 (cross-screen advertising: 3D dynamic advertisement vs. 2D advertisement) × 2 (culture: United States vs. Taiwan) between-subjects experiment design. Our results show incongruent brand recall is greater than congruent recall for American viewers and Taiwanese viewers have better attitudes towards AR dynamic advertisement presentations of title sponsorships that are congruent with the programme. Global AR advertising campaigns can benefit from cultural differences. We propose three specific recommendations to advertisers seeking to apply AR in product placements: (a) For American viewers, incongruous product placements should be able to facilitate positive advertisement attitudes, (b) In TV shows, 2D advertisements can improve advertisement attitudes in some cases, and (c) For Taiwanese audiences, congruent title sponsorships or incongruent background placements can produce better advertisement attitudes.
娱乐节目中的增强现实广告:跨文化探索
娱乐节目中的增强现实(AR)广告是相当新的,没有得到广泛的研究。鉴于缺乏优先性,本研究采用有限容量模型和图式一致性理论(SCT)来检验它们的广告效果。我们使用了2(产品植入类型:标题赞助植入与背景植入)×2(与节目特征一致:一致与不一致)×2。我们的研究结果表明,美国观众的不一致品牌召回大于一致召回,台湾观众对与节目一致的标题赞助的AR动态广告展示有更好的态度。全球AR广告活动可以从文化差异中受益。我们向寻求在植入式广告中应用AR的广告商提出了三个具体建议:(a)对于美国观众来说,不协调的植入式广告应该能够促进积极的广告态度;(b)在电视节目中,2D广告在某些情况下可以改善广告态度,一致的标题赞助或不协调的背景布置可以产生更好的广告态度。
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来源期刊
CiteScore
2.70
自引率
26.70%
发文量
20
期刊介绍: The Journal of Creative Communications promotes inquiry into contemporary communication issues within wider social, economic, marketing, cultural, technological and management contexts, and provides a forum for the discussion of theoretical and practical insights emerging from such inquiry. The journal encourages a new language of analysis for contemporary communications research and publishes articles dealing with innovative and alternate ways of doing research that push the frontiers of conceptual dialogue in communication theory and practice. The journal engages with a wide range of issues and themes in the areas of cultural studies, digital media, media studies, technoculture, marketing communication, organizational communication, communication management, mass and new media, and development communication, among others. JOCC is a double blind peer reviewed journal.
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