The Kabbalistic Trees of Gershom Scholem

IF 0.1 0 ART
J. Chajes
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引用次数: 0

Abstract

Abstract:Scholars have only recently begun to take interest in ilanot (kabbalistic trees), a genre of kabbalistic creativity ignored by Gershom Scholem, the preeminent scholar of Jewish mysticism. Given that Scholem was intimately familiar with manuscripts the world over, his lack of attention to this genre in his innumerable writings must be considered an anomaly in need of explanation. Yet Scholem created ilanot of his own: a series of colorful, poster-size kabbalistic diagrams now held in the Scholem Archives at the National Library of Israel. These were produced to Scholem’s precise specifications for his teaching at the Hebrew University of Jerusalem. My discussion of their production and analysis of their semiotics will range from the personal – including Scholem’s relationship to the graduate students who made these posters for their advisor – to the professional questions of how these images visualize particular kabbalistic ideas. I conclude with an examination of how “Scholem’s ilanot” compare to those crafted by historical kabbalists over the centuries.
格肖姆·肖勒姆的卡巴利主义树
摘要:学者们最近才开始对“笑树”产生兴趣,这是一种被犹太神秘主义杰出学者Gershom Scholem忽视的笑创造性流派。鉴于Scholem对世界各地的手稿非常熟悉,他在无数作品中对这一类型的关注不足,必须被认为是一种需要解释的反常现象。然而,Scholem创造了自己的ilanot:一系列五颜六色的海报大小的卡巴利主义图表,现在保存在以色列国家图书馆的Scholem档案馆。这些都是按照Scholem在耶路撒冷希伯来大学教学时的精确规格制作的。我对他们的制作和符号学分析的讨论范围从个人——包括Scholem与为他们的导师制作这些海报的研究生的关系——到这些图像如何将特定的卡巴利主义思想形象化的专业问题。最后,我要研究一下“Scholem’s ilanot”与几个世纪以来历史卡巴利主义者创作的作品相比如何。
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