Real and Imagined Places in the Diary of Gabriella Trebits

IF 0.8 Q3 ETHNIC STUDIES
Genealogy Pub Date : 2023-02-27 DOI:10.3390/genealogy7010016
Heléna Huhák, A. Szécsényi
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引用次数: 0

Abstract

Gabriella Trebits was a prisoner of the Bergen-Belsen concentration camp between November 1944 and April 1945. The spaces present in her diary include both the places of the camp and her typhoid hallucinations. Gabriella described venues through their sensuous dimensions. Since the sensory experiences of everyday life mingled with her visions, her diary became a “textual journey” between real and imagined places. Her narratives helped her to express the difficulties caused by her physical environment and the confusion caused by her hallucinations. As a result, the references to changes in her sensory impressions created a discursive space for the diarist to express her feelings. Since her narrative depicts a suffering and painful condition, we use Joanna Bourke’s concept of pain talk in our analysis. Moreover, the diary demonstrates that it was possible for typhoid patients to connect with their environment despite their isolated situation. Even on the periphery of the camp space, social life persisted. This exploration will not only uncover the narrative strategy of one diarist but also contribute to a deeper understanding of the ways in which tens of thousands died of starvation and diseases―without mass executions or gas chambers―in the Bergen-Belsen concentration camp during the spring of 1945.
加布里埃拉·特里比特日记中的真实和想象的地方
Gabriella Trebits在1944年11月至1945年4月期间是卑尔根-贝尔森集中营的囚犯。她日记中的空间既包括营地的地方,也包括她伤寒的幻觉。Gabriella通过感性的维度来描述场地。由于日常生活的感官体验与她的想象交织在一起,她的日记成为了真实与想象之间的“文本之旅”。她的叙述帮助她表达了自己的物理环境造成的困难和幻觉造成的困惑。因此,对她感官印象变化的提及为日记作者创造了一个表达情感的话语空间。由于她的叙述描绘了一种痛苦和痛苦的状态,我们在分析中使用了乔安娜·伯克的痛苦话语概念。此外,日记表明,伤寒患者尽管处境孤立,但仍有可能与环境建立联系。即使在营地的外围,社交生活依然存在。这一探索不仅将揭示一位日记作者的叙事策略,而且有助于更深入地了解1945年春天在卑尔根-贝尔森集中营,数万人在没有大规模处决或毒气室的情况下死于饥饿和疾病。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
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审稿时长
11 weeks
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