Hans Haas, the Songs of Buddha, and Their Sounds of Truth

IF 0.6 0 RELIGION
E. Petersen
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引用次数: 0

Abstract

The writings of German missionary Hans Haas (1868–1934) were seminal texts which greatly influenced how many Europeans came to understand Japanese Buddhism. Haas became a significant actor in this early reception of Japanese Buddhism after he began working as an editor for the journal Zeitschrift für Missionskunde und Religionswissenschaft while stationed in Japan from 1898–1909. Haas covered all areas and aspects of Japanese Buddhism, from editing and translating texts such as Sukhavati Buddhism (1910a) into German to cross-religious comparisons of Buddhist songs and legends. This paper seeks to identify various elements which contributed to the development of Japanese Buddhism in Europe, paying special attention to the role of Haas’s work. In particular, it seeks to reconstruct his understanding of Pure Land Buddhism by demonstrating how a Protestant interpretative scheme, particularly that of Lutheran Protestantism, dominated much of the early reception of Japanese Buddhism in Europe.
汉斯、佛歌及其真理之声
德国传教士汉斯·哈斯(1868-1934)的著作是开创性的文本,极大地影响了许多欧洲人对日本佛教的理解。哈斯在1898年至1909年驻扎日本期间,开始担任《教会与宗教》杂志的编辑,成为早期接受日本佛教的重要人物。哈斯涵盖了日本佛教的各个领域和方面,从将《住持佛教》(1910a)等文本编辑和翻译成德语,到对佛教歌曲和传说进行跨宗教比较。本文试图找出促成日本佛教在欧洲发展的各种因素,特别关注哈斯作品的作用。特别是,它试图通过展示新教的解释方案,特别是路德会新教的阐释方案,如何在欧洲早期接受日本佛教的过程中占据主导地位,来重建他对净土宗的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
33.30%
发文量
6
期刊介绍: JRJ is committed to an approach based on religious studies, and is open to contributions coming from different disciplines, such as anthropology, sociology, history, Buddhist studies, Japanese studies, art history, and area studies. The Journal of Religion in Japan encourages critical application of ideas and theories about Japanese religions and constitutes a forum for new theoretical developments in the field of religion in Japan. The Journal does not provide a venue for inter-religious dialogue and confessional approaches.
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