Obéir pour se libérer: stratégies d’héroïsation dans le film Indigènes de Rachid Bouchareb

IF 0.2 4区 文学 0 LITERATURE, ROMANCE
D. Franco
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引用次数: 0

Abstract

This article re-examines the common understanding of heroism in Rachid Bouchareb’s 2006 film  Days of Glory ( Indigènes). It challenges the premise that the four Maghrebian infantrymen at the centre of the picture are in fact fighting in the French ranks in order to primarily serve mainland France. Stylistic, rhetoric and filmic analyses of the film will show that, instead, enrolling in the French army provides the Arab soldiers with an opportunity to – paradoxically – assert their identity as free subjects. The result of this approach is twofold: while inscribing the protagonists of  Days of Glory in the classical heroic tradition, where obedience and self-government are often complementary, it also expounds the director’s militant desire to define the North African immigrant as both France’s historical ally and an autonomous subject.
服从解放:拉希德·布查雷布电影《土著》中的英雄主义策略
本文重新审视了拉希德·布查雷布2006年的电影 Days of Glory (indigires)中人们对英雄主义的普遍理解。它挑战了画面中心的四名马格里布步兵实际上是在法国队伍中战斗,主要是为了服务法国本土。对这部电影的文体、修辞和电影分析将表明,相反,加入法国军队为阿拉伯士兵提供了一个机会——矛盾的是——维护他们作为自由主体的身份。这种方法的结果是双重的:在将《 光荣之日 》的主角们铭入经典英雄传统的同时,服从和自治往往是相辅相成的,它也阐述了导演的好战愿望,即将北非移民定义为法国的历史盟友和自治主体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Nottingham French Studies
Nottingham French Studies LITERATURE, ROMANCE-
CiteScore
0.20
自引率
0.00%
发文量
20
期刊介绍: Nottingham French Studies is an externally-refereed academic journal which, from Volume 43, 2004, appears three times annually, with at least one special and one general issue each year. Its Editorial Board is drawn from members of the Department of French and Francophone Studies of the University of Nottingham, with the support of an International Advisory Board.
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