The Skin of a Line: Surface Conditions in the Ceramic Skin of Art Nouveau

IF 1.1 0 ARCHITECTURE

Architecture and Culture Pub Date : 2021-07-19 DOI:10.1080/20507828.2021.1919855

Arielle Marshall

引用次数: 0

Abstract

Abstract This paper develops a material history of Art Nouveau with reference to the ceram ic façade of André Arfvidson’s block of artists’ studios at 31 rue Campagne-Première, Paris (1911). Tracking the constituent element of this façade (glazed tile), this paper narrativizes the exchanges between four contexts – industry, craft, architecture and art – that underscored the rise and fall of Art Nouveau in fin-de-siècle France. References are drawn widely from art and archaeology; treating materials as sources of knowledge, complicit in the processes of architectural history. Exploring the idea of Art Nouveau as a transitory movement, this paper fosters a novel reading of the ceramic skin of 31 rue Campagne-Première in material terms.

查看原文本刊更多论文

线条的表皮:新艺术陶瓷表皮的表面状况

摘要本文参照安德烈·阿夫维德森（AndréArfvidson）位于巴黎坎帕涅大街31号的艺术家工作室的陶瓷立面（1911年），展开了新艺术运动的物质史。本文追踪了这个立面（琉璃瓦）的组成元素，讲述了四个背景——工业、工艺、建筑和艺术——之间的交流，这些背景突显了新艺术运动在法国的兴衰。参考文献广泛来自艺术和考古学；将材料视为知识的来源，与建筑历史进程串通一气。探索新艺术运动作为一场短暂运动的理念，本文从材料的角度对坎帕涅大街31号的陶瓷表皮进行了新颖的解读。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Architecture and Culture ARCHITECTURE-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.