Para obrazów retabulum ołtarzowego ze scenami legend o św. Mikołaju w zbiorach Muzeum Książąt Czartoryskich w Krakowie

Paulina Chełmecka
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Abstract

The collection of The Princes Czartoryski Museum in Krakow includes a pair of wings form a winged retable depicting hagiographical threads connected with the person of St. Nicholas of Bari. The artwork was brought to the museum from Rzepiennik Biskupi, a village situated near Krosno. The wings constitute an example of late Gothic tabular painting, manufactured in provincial workshops of Little Poland in the 1 st half of the 16 th century. The scenes Salvaging the castaways from the shipwreck and Whipping of the statue of St. Nicholas depicted on the aforementioned wings refer to the miracle-working activity of St. Nicholas. Most probably the author drew inspiration from the text of The Golden Legend by Jacob de Voragine – the text, which was very popular from the 13 th century and which was frequently a source of hagiographical inspirations. The paintings, most probably deriving from the nonexistent retable of St. Nicholas, in terms of stylistics can be assigned to the circle of the Workshop of the Master of Triptych from Klimkowka, whose work is connected with Krosno and its neighbourhood. Andrzej, working in Krosno in the 1 st half of the 16 th century, is a painter consociated with this workshop. His works typify, among others, influences of the South-German painting and engraving, which he encountered most probably in the Krakow community.
一对祭坛画,上面有圣的传说场景。克拉科夫沙皇王子博物馆收藏的圣诞老人
克拉科夫的恰尔托里斯基王子博物馆的藏品包括一对翅膀,形成一个有翼的雕塑,描绘了与巴里的圣尼古拉斯有关的圣徒传记。这些艺术品是从Krosno附近的一个村庄Rzepiennik Biskupi带到博物馆的。翅膀构成了晚期哥特式平板绘画的一个例子,在16世纪上半叶在小波兰的省级车间制造。从沉船中打捞遇难者和鞭打圣尼古拉斯雕像的场景描绘在前面提到的翅膀指的是圣尼古拉斯创造奇迹的活动。最有可能的是,作者从雅各布·德·沃拉金的《黄金传奇》中获得了灵感——这本书在13世纪非常流行,经常是圣徒传记灵感的来源。这些画,最有可能来自不存在的圣尼古拉斯的桌子,在文体学方面可以分配到Klimkowka的三联画大师工作室的圈子,他的作品与Krosno及其附近地区有关。16世纪上半叶在克罗斯诺工作的安杰伊是与这个工作室有联系的画家。他的作品是典型的,除其他外,德国南部的绘画和雕刻的影响,他遇到最有可能是在克拉科夫社区。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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