The Neuroscientist’s Memoir: Dramatic Irony and Disorders of Consciousness

IF 0.3 3区 文学 N/A LITERATURE
SUB-STANCE Pub Date : 2022-12-07 DOI:10.1353/sub.2022.0027
R. Savarese
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引用次数: 0

Abstract

Abstract:This essay explores new technologies of communication, mischievously suggesting that an ordinary memoir, on some fundamental level, is no different from what occurred with a young woman in a persistent vegetative state who “willfully modulated [her] brain activity.” If, as Elaine Scarry famously suggested, readers produce mental imagery “under the instruction of a writer,” then thinking about the role of alternative and augmentative communication (AAC) in providing such instruction might help us to think through the relationship between cognition and generic innovation while, importantly, making room for neurodivergent writers. When George Perec wrote The Void without using the letter “e,” he imposed a restriction that could be said to work a bit like a “tennis-yes, navigation-no” protocol. In Eavesdropping: A Memoir of Blindness and Listening, the blind writer Stephen Kuusisto reinvents travel writing by having hearing and touch take the lead. Narrative itself ends up being transformed. This essay explores how disability puts pressure on the procedures of conventional narrative.
神经科学家的回忆录:戏剧性的讽刺和意识紊乱
摘要:这篇文章探讨了新的交流技术,恶作剧地暗示,在某种基本层面上,一本普通的回忆录与一位持续植物人状态的年轻女性“故意调节(她的)大脑活动”没有什么不同。正如伊莱恩·斯卡里(Elaine Scarry)所说的那样,如果读者“在作家的指导下”产生心理意象,那么思考替代和增强交流(AAC)在提供这种指导方面的作用,可能有助于我们思考认知和一般创新之间的关系,同时,重要的是,为神经发散型作家腾出空间。乔治·佩雷克在写《虚空》时没有使用字母“e”,他施加了一个限制,可以说有点像“可以打网球,不能导航”的协议。在《窃听:失明与倾听的回忆录》一书中,盲人作家斯蒂芬·库斯托(Stephen Kuusisto)以听觉和触觉为主导,重塑了旅行写作。叙事本身最终被转化了。本文探讨了残疾如何给传统叙事程序带来压力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
SUB-STANCE
SUB-STANCE LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
21
期刊介绍: SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.
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