Umjetnost i tipologija ženskih nišana sjeverne i sjeveroistočne Crne Gore

Q4 Arts and Humanities
Burhan Čelebić
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Abstract

Research and study of sights is not new in the Balkan area. The first important research in this field was carried out by two Bosnian-Herzegovinian researchers, namely Mehmed Mujezinović and Šefik Bešlagić. Those researches were carried out in Bosnia and Herzegovina through three levels - history, epigraphy and art. In addition to these two great men, we also have some other researchers who worked on sights such as Ćiro Truhelka, Antun Hangi, Seid Mustafa Trajlić, Alija Nametak, Alija Bejtić, Džemal Čelić. Often, these and many other authors classified men's sights into ulema, dervish, martyr, pashin, agin, hajji, clerical, etc. They did this, first of all, because of their rich decoration, which is as different as the weapons that are a frequent motif on those sights - shield, sword, bow, mace. It is not difficult to distinguish the sights of men from the niches of buried women. Men's sights are reminiscent of medieval tomb in their dimensions, with the difference that the headboards are represented with creases. Women's sights are significantly different: smaller, more modest and simpler, mostly in the form of a truncated shield, less often, on the frontal edges, decorated with floral motifs, leaves and tree branches. In addition to these ornaments, we also notice some that reflect and symbolize female beauty and elegance. In this section, it should be mentioned to the readers that women's sights could also be characterized in a better way, that is, they could get their own characteristic shapes. For example, until now every female sights has been treated in a broader scope and in the simplest sense as a sights of a deceased woman. Certainly, there were those researchers who classified the sights into stelae and women's caps. All this points to the fact that the division within the circle of women's sights is poor and that this allows deepening and classification in a new and appropriate way. In this sense, we are of the opinion that a new division could be made among women's sights based primarily on their external appearance. Such a starting point gives us the right to classify them into women's sights in the form of a stele, women's sights in the form of pillars with a women's cap and women's sights with solufs. But, even for this division, it could be stated that it is poor and not comprehensive, because women's sights can also be observed and explained from the point of view of social position and affiliation. Large and well-decorated nishans belong to rich women, while those of smaller dimensions and with less decorative ornaments belong to poorer people. Just as the Agin and Pašina sights are very richly decorated and of large dimensions, some women's sights could be classified in a similar category. However, we cannot prove this, because in that case we would have to conduct archaeological research, with the help of which it would be possible to obtain more detailed information that would enable better illumination of the deceased person's belonging to a certain social class. On the other hand, shapes can also help us to chronologically place women's sights in the appropriate century. Steles, as the oldest form, began to be used in a slightly older period of making women's sights, already in the second half of the 15th century, and are still in use today. These niches, initially without Arabic epitaphs, with ornaments that are represented on tombs, were carved mostly in Bosnia and Herzegovina and in a somewhat wider area. In the 17th century, women's nishan got another very different form, in the way that a woman's cap was placed on the columnar sights, which began to receive an Arabic epitaph. With these sights, the upper part is in the shape of an inverted fez, while the lower part has a collar that helps us identify these sights. We also have a sight with solufluks that symbolize women's zulufs and their beauty. With this, we have briefly presented the art and typology of sights from the 15th to the 20th century. There are sights that do not correspond to these types, but we have presented them in this work.
黑山北部和东北部女性毁灭的艺术和类型
对风景的研究在巴尔干地区并不新鲜。这一领域的第一项重要研究是由两名波斯尼亚黑塞哥维那研究人员进行的,他们是Mehmed Mujezinović和Šefik Bešlagić。这些研究是在波斯尼亚和黑塞哥维那通过历史、金石学和艺术三个层面进行的。除了这两位伟人,我们还有其他一些研究人员,如特鲁赫尔卡、安顿·汉吉、塞德·穆斯塔法·特拉伊利奇、阿利娅·纳姆塔克、阿利娅·贝伊蒂奇、德米马尔·切利奇。通常,这些作者和许多其他作者将男性的视线分为乌列玛、托钵僧、殉道者、帕申、阿金、朝觐、神职人员等。他们这样做首先是因为他们丰富的装饰,这与这些视线中经常出现的武器一样不同——盾牌、剑、弓、狼牙棒。从埋葬的女人的壁龛中不难分辨出男人的景象。男性的景观在尺寸上让人想起中世纪的坟墓,不同之处在于床头板用折痕表示。女性的视线明显不同:更小、更温和、更简单,大多是截头盾的形式,很少出现在正面边缘,用花卉图案、树叶和树枝装饰。除了这些饰品,我们还注意到一些反映和象征女性美丽和优雅的饰品。在这一节中,应该向读者提及的是,女性的视觉也可以用一种更好的方式来表征,即她们可以获得自己特有的形状。例如,到目前为止,每一个女性景点都被以更广泛的范围和最简单的意义视为已故女性的景点。当然,也有研究人员将这些景点分为石碑和女帽。所有这些都表明,女性视野范围内的划分很差,这使得可以以一种新的适当方式进行深化和分类。从这个意义上说,我们认为,可以主要根据女性的外表在她们的视线中进行新的划分。这样一个起点使我们有权将其分为石碑形式的女性景点、带女性帽子的柱子形式的女性景观和带soluf的女性景观。但是,即使是这种划分,也可以说是糟糕和不全面的,因为妇女的眼光也可以从社会地位和隶属关系的角度来观察和解释。大而装饰精美的尼桑属于富裕女性,而尺寸较小、装饰较少的尼桑则属于穷人。正如Agin和Pašina景点装饰非常丰富,尺寸很大一样,一些女性景点也可以归入类似的类别。然而,我们无法证明这一点,因为在这种情况下,我们必须进行考古研究,在考古研究的帮助下,可以获得更详细的信息,从而更好地了解死者属于某个社会阶层。另一方面,形状也可以帮助我们按时间顺序将女性的目光放在合适的世纪。石碑作为最古老的形式,在15世纪下半叶的一个稍老的女性景点制作时期开始使用,至今仍在使用。这些壁龛最初没有阿拉伯墓志铭,坟墓上有装饰物,主要在波斯尼亚和黑塞哥维那和更广阔的地区雕刻。在17世纪,女性尼山获得了另一种非常不同的形式,将女性的帽子戴在圆柱状的瞄准器上,圆柱状瞄准器开始接受阿拉伯墓志铭。有了这些瞄准器,上部呈倒置的fez形状,而下部有一个项圈,可以帮助我们识别这些瞄准器。我们还看到了象征女性祖鲁夫和她们的美丽的苏鲁夫鲁克。在此,我们简要介绍了15至20世纪的景观艺术和类型。有些景象与这些类型不符,但我们在这部作品中介绍了它们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Historijski pogledi
Historijski pogledi Arts and Humanities-History
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20 weeks
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