Li Xuefang Meets Mei Lanfang: Cantonese Opera's Significant Rise in 1920s Shanghai and Beyond

Q2 Arts and Humanities
N. Rao
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引用次数: 0

Abstract

Abstract:The historical meeting of Cantonese opera actress Li Xuefang and Peking opera actor Mei Lanfang in Shanghai in 1922 signaled an important moment in the rising significance of Cantonese opera in Shanghai. This essay examines the social context, forces, and social actors involved in this encounter, as well as the activities of Cantonese opera performance in Shanghai that signaled its rise in the city during the 1920s. Drawing attention to the array of historical actors, the textual and visual public discourse surrounding the performers, and the role of Shanghai's Cantonese sojourner community, it explores Cantonese opera performance in Shanghai in this period, in particular the popularity of female troupes. The last section looks beyond Shanghai to consider its connections to and influence on another Cantonese sojourner community across the Pacific, San Francisco.
李雪芳会见梅兰芳:20世纪20年代上海及以后粤剧的重大崛起
摘要:1922年,粤剧演员李雪芳和京剧演员梅兰芳在上海的历史性会面,标志着粤剧在上海的重要地位上升。本文考察了这场遭遇所涉及的社会背景、力量和社会行动者,以及20世纪20年代上海粤剧表演活动,这些活动标志着它在这座城市的崛起。它关注历史演员的阵列、围绕演员的文本和视觉公共话语,以及上海粤剧旅居群体的角色,探讨了这一时期在上海的粤剧表演,特别是女团的流行。最后一节将目光投向上海以外的地方,考虑它与太平洋另一个旅居广东的旧金山社区的联系和影响。
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来源期刊
CHINOPERL: Journal of Chinese Oral and Performing Literature
CHINOPERL: Journal of Chinese Oral and Performing Literature Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.
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