{"title":"An Afropolitan in South Asia","authors":"E. Okereke, M. Krishnamurthy","doi":"10.1215/01636545-9847900","DOIUrl":null,"url":null,"abstract":"\n In this photo essay, the authors gather a set of photographs of only partially visible subjects to speak about the tense and unpredictable encounters between different postcolonial histories. Staged as a conversation between an anthropologist and a photographer, the essay touches on the necessary modalities of such encounters, be it surprise, friendship, location and dislocation, or sometimes even invisibility. Central to the essay are conversations about encounters between the authors themselves, mediated by the sights, sounds, and serendipities of the postcolonial city. Using the Invisible Borders Trans-African Project—a decade-long venture bringing together artists, photographers, and writers in road trips across Africa—as a starting point, the essay considers the implications of broadening this imaginary into other borders and postcolonial border beings and whether this might constitute a particular kind of utopian project.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"RADICAL HISTORY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/01636545-9847900","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
In this photo essay, the authors gather a set of photographs of only partially visible subjects to speak about the tense and unpredictable encounters between different postcolonial histories. Staged as a conversation between an anthropologist and a photographer, the essay touches on the necessary modalities of such encounters, be it surprise, friendship, location and dislocation, or sometimes even invisibility. Central to the essay are conversations about encounters between the authors themselves, mediated by the sights, sounds, and serendipities of the postcolonial city. Using the Invisible Borders Trans-African Project—a decade-long venture bringing together artists, photographers, and writers in road trips across Africa—as a starting point, the essay considers the implications of broadening this imaginary into other borders and postcolonial border beings and whether this might constitute a particular kind of utopian project.
期刊介绍:
Individual subscribers and institutions with electronic access can view issues of Radical History Review online. If you have not signed up, review the first-time access instructions. For more than a quarter of a century, Radical History Review has stood at the point where rigorous historical scholarship and active political engagement converge. The journal is edited by a collective of historians—men and women with diverse backgrounds, research interests, and professional perspectives. Articles in RHR address issues of gender, race, sexuality, imperialism, and class, stretching the boundaries of historical analysis to explore Western and non-Western histories.