Cultivating Ongoingness Through Site-Specific Arts Research and Public Engagement

IF 0.3 4区 社会学 Q4 CULTURAL STUDIES
Lisa Blackmore
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引用次数: 1

Abstract

In this article, I consider the contributions of projects in Latin America to the need “to think in the presence of ongoing facts of destruction”, and to imagine and design forms of “ongoingness” amid socioenvironmental challenges and conflicts. I focus on HAWAPI, Ensayos and EnlaceArq, three initiatives that have consolidated a decade of site-specific, practice research that departs from the arts to devise methods that bridge the arts, sciences, and communities to confront socioenvironmental pressures and enduring injustices caused by colonial legacies and continued extractivism. How does site-specific practice research seed and cultivate inter- and transdisciplinary collaborations around pressing socioenvironmental concerns affecting Latin America? How do projects establish critical relationships regarding the circulation of knowledges related to these issues and engage with diverse types of publics? And, insofar as the projects reviewed here often operate on the fringes of academia, what strengths and challenges does this generate for their sustainability over time and their impact on scholarly research, public conversations and the lives of specific communities?
通过特定场地的艺术研究和公众参与培养持续性
在这篇文章中,我考虑了拉丁美洲项目对“在持续的破坏事实面前思考”的需求,以及在社会环境挑战和冲突中想象和设计“持续”形式的贡献。我专注于HAWAPI, Ensayos和EnlaceArq,这三个项目整合了十年来特定地点的实践研究,这些研究脱离了艺术,设计了连接艺术,科学和社区的方法,以应对社会环境压力和由殖民遗产和持续的采掘造成的持久不公正。具体地点实践研究如何围绕影响拉丁美洲的紧迫社会环境问题播种和培养跨学科和跨学科合作?项目如何在与这些问题相关的知识流通方面建立关键关系,并与不同类型的公众接触?而且,就这里所回顾的项目通常在学术界的边缘运作而言,随着时间的推移,这对它们的可持续性以及它们对学术研究、公众对话和特定社区生活的影响产生了哪些优势和挑战?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
25
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