“To whom shall the outcast prostitute tell her tale!”: Endo/Exo-Writer Perspectives of Nineteenth-Century Sex Workers in Madeleine, An Autobiography and Mary Barton

Q2 Arts and Humanities
Katie Brandt Sartain
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Abstract

This article analyses two portrayals of the nineteenth-century female sex worker: Madeleine, An Autobiography, written from the endo-perspective of the anonymous narrator, and Mary Barton, written from the exo-perspective of Elizabeth Gaskell. By placing these two texts in conversation, this project aims to illuminate the range of discourses that emerged about female sex workers during this period, and more broadly, the difficulties that arise when writers attempt to represent subalternity in the depiction of historically occluded identity groups. Through a comparison of the “outcast prostitute” Esther Barton in Gaskell’s novel with the first-person autobiographical account of Madeleine Blair, the article offers a comprehensive account of the lives of these women and explores the discursive specificities of the authors’ construction of the female sex worker in relation to other accounts of sex work. Attention is also given the ideologemes surrounding sex work that prevail in Western culture and the consequences they have for people within that community today.
“被抛弃的妓女应该向谁讲述她的故事!”:恩多/外作家对《玛德琳》、《自传》和《玛丽·巴顿》中19世纪性工作者的看法
本文分析了19世纪女性性工作者的两个形象:《玛德琳自传》(Madeleine,An Autobiography)和《玛丽·巴顿》(Mary Barton),前者以匿名叙述者的内视角写成,后者以伊丽莎白·盖斯凯尔(Elizabeth Gaskell)的外视角写成。通过将这两个文本放在对话中,该项目旨在阐明这一时期出现的关于女性性工作者的话语范围,以及更广泛地说,当作家试图在描绘历史上被遮蔽的身份群体时表现出次另类时所出现的困难。通过将盖斯凯尔小说中的“被抛弃的妓女”埃丝特·巴顿与马德琳·布莱尔的第一人称自传体描述进行比较,本文对这些女性的生活进行了全面的描述,并探讨了作者对女性性工作者的构建与其他性工作描述之间的话语特征。人们还注意到西方文化中盛行的性工作的意识形态,以及它们对当今社会的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Victorian Popular Fictions
Victorian Popular Fictions Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
16 weeks
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