Framing Selves: Home, Gender, and Politics in the Poetry of Imtiaz Dharker

IF 0.4 2区 文学 0 LITERATURE
V. I. Parel
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引用次数: 2

Abstract

Abstract:Imtiaz Dharker is an important voice in South Asian diasporic poetry. Her work enunciates the challenges that various marginalized communities face in their quotidian dealings with society and the state. This article reads her poems and drawings from I Speak for the Devil (2001) and The Terrorist at My Table (2006) to highlight the internal and external conflictual negotiations involved for women in the formation of resistant selves that aim to critique gendered, societal, and political norms harshly imposed on women. Her poetry consciously reframes selves and expresses the questions and possibilities that inhere in this process. The emergence of a productive instability of poetic form and meaning in her work charts avenues and modes for her poetic subjects to rediscover agency in their private and public lives. The article shows how Dharker's poetry invests the future with potential for the emergence of consciously political selves.
陷害塞尔维斯:伊姆蒂亚兹·达尔克诗歌中的家、性别与政治
摘要:伊姆蒂亚兹·达尔克是南亚散居诗歌中的重要声音。她的作品阐述了各种边缘化社区在日常与社会和国家打交道时面临的挑战。这篇文章阅读了她在《我为魔鬼说话》(2001年)和《餐桌上的恐怖分子》(2006年)中的诗歌和绘画,以强调女性在形成抵抗自我过程中所涉及的内部和外部冲突谈判,这些谈判旨在批判严厉强加给女性的性别、社会和政治规范。她的诗歌有意识地重塑自我,表达在这个过程中存在的问题和可能性。在她的作品中,诗歌形式和意义的生产性不稳定性的出现为她的诗歌主体重新发现私人和公共生活中的能动性指明了途径和模式。这篇文章展示了达尔克的诗歌如何为有意识的政治自我的出现赋予未来潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
41
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