Impact of COVID-19 on the Welsh Music Industries

IF 0.2 0 MUSIC

Journal of World Popular Music Pub Date : 2022-06-22 DOI:10.1558/jwpm.23353

Paul Carr

引用次数: 3

Abstract

This article reflects upon an extensive report written by Paul Carr for the Culture, Welsh Language and Communications Committee (CWLCC), a body that recommends policy to Welsh Government and holds it to account. After initially providing a brief historical account of the ways in which the UK and more specifically the Welsh Government responded to the pandemic in terms of generic and targeted support, in addition to how private sector bodies “filled the gaps”, the article discusses how the report’s recommendations resonated with both the CWLCC Turn Up the Volume report and the official Welsh Government response, providing an account of how three distinct narratives (the reports from Carr, the CWLCC and Welsh Government) have been able to improve the prospects of live music stakeholders in Wales.

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COVID-19对威尔士音乐产业的影响

这篇文章反映了保罗·卡尔为文化、威尔士语言和通信委员会(CWLCC)撰写的一份广泛的报告，CWLCC是一个向威尔士政府提出政策建议并追究其责任的机构。本文首先简要介绍了联合王国，更具体地说是威尔士政府在一般和有针对性的支持方面应对疫情的方式，以及私营部门机构如何“填补空白”，然后讨论了报告的建议如何与CWLCC“加大力度”报告和威尔士政府的官方回应产生共鸣，并介绍了三种不同的叙述(卡尔的报告，CWLCC和威尔士政府)已经能够改善威尔士现场音乐利益相关者的前景。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of World Popular Music MUSIC-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.