Self portrait / in cross-sections / with bird: a monologue

IF 0.4 0 LITERATURE
Diane Stubbings
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引用次数: 1

Abstract

ABSTRACT Self Portrait / In Cross-Sections / With Bird is a performance text that evolved from my experimentation with biologically driven dramaturgies. In this experiment, cancer biology was utilised as a dramaturgical model. Applied to Hamlet, the writing employed iterative techniques (for example the Microsoft Word dictation function) that favoured the accumulation of error while suppressing authorial imposition of form, structure and meaning on the emergent text. The aim of the experiment was to generate a text that, like cancer, was inclining away from order and towards ‘the inner edge of chaos’ (Sigston, Elizabeth A.W. & Bryan R.G. Williams. 2017. ‘An Emergence Framework of Carcinogenesis’. Frontiers in Oncology: Cancer Genetics 7: 198, https://doi.org/10.3389/fonc.2017.00198).
自画像/横截面/与鸟:独白
摘要《自画像》/《横截面》/《与鸟》是我对生物驱动的戏剧的实验演变而来的一部表演文本。在这个实验中,癌症生物学被用作一个戏剧模型。在《哈姆雷特》中,写作采用了迭代技术(例如Microsoft Word听写功能),有利于错误的积累,同时抑制作者对涌现文本的形式、结构和意义的强加。实验的目的是生成一个文本,就像癌症一样,倾向于远离秩序,走向“混乱的内部边缘”(Sigston,Elizabeth a.W.和Bryan R.G.Williams,2017)癌症发生的一个新框架。肿瘤学前沿:癌症遗传学7:198,https://doi.org/10.3389/fonc.2017.00198)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
26
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