{"title":"Masculinidade em questão: lei, corpo e desejo em \"Dão-lalão\"","authors":"Luiz Fernando Valente","doi":"10.21471/JLS.V3I1.211","DOIUrl":null,"url":null,"abstract":"In the present essay, I examine eroticism in \"Dao-lalao,\" by Brazilian fictionist Joao Guimaraes Rosa (1908-1967). Calling into question Benedito Nunes’s argument that the dialectics of love in Guimaraes Rosa's oeuvre points to a sense of harmony and totality, I view the erotic element in Guimaraes Rosa’s work as a form of transgression. Focusing on the body in “Dao-lalao,” I revisit Guimaraes Rosa’s skepticism regarding reason as the primary vehicle for understanding reality. Whereas Nunes relies on Plato, the Neoplatonists, and the mystic traditions of hermeticism and alchemy, I turn to the philosophy of Georges Bataille (1897-1962). Finally, I propose that in addition to asking probing questions about eroticism as an expression of what Bataille called non-savoir , \"Dao-lalao\" invites its readers to reconsider race and gender relations within a Brazilian cultural and historical context.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2018-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/JLS.V3I1.211","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
In the present essay, I examine eroticism in "Dao-lalao," by Brazilian fictionist Joao Guimaraes Rosa (1908-1967). Calling into question Benedito Nunes’s argument that the dialectics of love in Guimaraes Rosa's oeuvre points to a sense of harmony and totality, I view the erotic element in Guimaraes Rosa’s work as a form of transgression. Focusing on the body in “Dao-lalao,” I revisit Guimaraes Rosa’s skepticism regarding reason as the primary vehicle for understanding reality. Whereas Nunes relies on Plato, the Neoplatonists, and the mystic traditions of hermeticism and alchemy, I turn to the philosophy of Georges Bataille (1897-1962). Finally, I propose that in addition to asking probing questions about eroticism as an expression of what Bataille called non-savoir , "Dao-lalao" invites its readers to reconsider race and gender relations within a Brazilian cultural and historical context.