Neo-colonialism in cultural governance in the EU: a Maltese case study

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Dr Karsten Xuereb
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Abstract

The case of cultural governance in Malta will be assessed to throw light on neo-colonialist practices persistent in relations between the European Union (EU) and Member States today. A sense of continuity between British rule in the nineteenth and twentieth centuries and current cultural governance in Malta seems to have facilitated EU support of neo-liberal economic approaches to culture. It will be argued that this tension has allowed nationalistic tendencies and the instrumental use of the sector to grow. The term ‘culture’ is interpreted following Edward Said with regard to the acknowledgment of general social practices together with the struggle for the assertion of identities. This paper makes the case that the adherence of the EU to the principle of subsidiarity in culture, combined with the prioritisation of economic principles, seem to have compromised cultural development in Malta through the dilution of a critical approach towards cultural practice. This strategic approach seems to have enabled the continuation of a colonial framework by enabling the subtle yet pervasive dominance of culture by the state elite.
欧盟文化治理中的新殖民主义:马耳他个案研究
马耳他的文化治理案例将被评估,以揭示当今欧洲联盟(欧盟)与成员国关系中持续存在的新殖民主义做法。十九世纪和二十世纪英国统治与马耳他当前文化治理之间的连续性似乎促进了欧盟对新自由主义经济文化方法的支持。有人会说,这种紧张局势助长了民族主义倾向和对该行业的工具性利用。“文化”一词是根据爱德华·赛义德对一般社会实践的承认以及对身份认同的斗争来解释的。本文认为,欧盟对文化辅助性原则的坚持,加上经济原则的优先顺序,似乎削弱了对文化实践的批判态度,从而损害了马耳他的文化发展。这种战略方法似乎使国家精英对文化的微妙而普遍的主导地位得以延续,从而使殖民框架得以延续。
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