Archetypes of Greek Myths in the Fashion Design of the XХI Century from a Metamodern Viewpoint

I. Gardabkhadze, Anna V. Antonova
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Abstract

The purpose of the article consists in clarifying the features of the archetypal structures functioning (in this case – archetypes of Greek myths) in modern fashion design and also in the analysis of the fashion design methodology peculiarities in the condi­tions of metamodernism. The realization of this purpose is planned by developing the meth­od of designing modern clothing, taking into account the principles and characteristics of metamodernism. Research methodology. The complex problem of analyzing the features of fashion design development in the environ­ment of metamodernism is solved based on interdisciplinary system analysis with a combi­nation of subject, historiographic and morpho­logical analyzes.Scientific novelty. For the first time, it was shown that modern design trends, such as in-personal empathy and situational expressiveness, more careful consideration of aesthetic guidelines, psychological attitudes, and user expectations, are most harmoniously reflected in the principles of metamodernism. It was demonstrated that in the conceptual space of the metamodern, the principle of os­cillation corresponds to a choice between two competing primary sources of an image gen­eration in fashion design. The images of Greek mythology gods were chosen as traditional ele­ments of the design project, and prototypes of modern clothing models were chosen as com­petitive elements. Conclusions. As a result of the research, we conclude that in the practice of fashion design, it is expedient to solve the project approach in a balanced way between the factors of the creative source, the personal qualities of the individual, and the archetypes manifested in it. The methods for elements of Greek myths heroes’ images synthesizing with elements-carriers of fashion trends was pro­posed, taking into account the tendencies of metamodernism. Experimental approbation of the research results was carried out by assess­ing the artistic and aesthetic qualities of mod­ern women’s clothing models collection based on Greek myths motives. Thus, the results of the collection design confirmed the feasibility of turning to archetypal forms to find innovative design solutions.
从元现代的视角看XХI世纪服装设计中的希腊神话原型
本文的目的在于阐明现代时装设计中原型结构的功能特征(在本例中是希腊神话的原型),并分析超现代主义条件下的时装设计方法论特点。这一目的的实现是通过发展现代服装设计方法,考虑到超现代主义的原理和特点。研究方法。在跨学科系统分析的基础上,结合主题分析、历史分析和形态分析,解决了分析后现代主义环境下服装设计发展特征的复杂问题。科学新颖性。首次表明,现代设计趋势,如在个人同理心和情境表现力方面,对美学准则、心理态度和用户期望的更仔细考虑,最和谐地反映在超现代主义的原则中。研究表明,在超现代的概念空间中,设计原理对应于在时尚设计中图像生成的两个相互竞争的主要来源之间进行选择。希腊神话中的众神形象被选为设计项目的传统元素,现代服装模型的原型被选为竞争元素。结论。研究结果表明,在时装设计实践中,在创意来源、个人素质及其原型等因素之间平衡解决项目法是有利的。提出了希腊神话英雄形象元素与时尚潮流元素载体相结合的方法,考虑到超现代主义的倾向。基于希腊神话的动机,通过评估现代女装模特系列的艺术和美学品质,对研究结果进行了实验认可。因此,集合设计的结果证实了转向原型形式寻找创新设计解决方案的可行性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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