Levi’s Limbo: Dante in Primo Levi’s Vizio di forma

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Akash Kumar, Francesco Samarini
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引用次数: 0

Abstract

ABSTRACT In this article, we draw attention to the expansive and crucial presence of Dante in two particular stories of Primo Levi’s Vizio di forma, the linked tales ‘Lavoro Creativo’ and ‘Nel Parco’. These stories imagine an idyllic afterlife realm for famous literary characters, and so are of course ripe for reading through the lens of Dante’s Limbo. But we argue that there is still more to be found by expanding the scope of our inquiry to more of the Commedia, particularly in considering the dynamic between souls in Dante’s Purgatory and Levi’s appreciation of the scientific aspects of Dante’s writings. Such a move allows for a fuller appreciation of the relationship between Primo Levi and Dante, showing how the Turinese writer creates a unique space for himself through his acts of rewriting, appropriating, and adapting Dante.
摘要在这篇文章中,我们注意到但丁在普里莫·李维的维齐奥形式的两个特定故事中的广泛而关键的存在,这两个故事是相连的故事“拉沃罗·克雷沃”和“内尔·帕尔科”。这些故事为著名文学人物想象了一个田园诗般的来生境界,因此通过但丁的《林波》的镜头阅读当然已经成熟。但我们认为,通过将我们的研究范围扩大到更多的百科全书,特别是在考虑但丁《炼狱》中灵魂之间的动态和李维对但丁作品科学方面的欣赏方面,还有更多的东西要找到。这样的举动让我们更充分地了解普里莫·李维和但丁之间的关系,展示了这位图灵作家如何通过改写、挪用和改编但丁的行为为自己创造一个独特的空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Italianist
Italianist HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
11
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