Figuring Africa and China

Abstract

This article asks how China has figured as a trope in Congolese literature from the Cold War and to the present. To do so, I analyze three texts: V.Y. Mudimbe’s Entre les eaux (Between Tides) (1973), In Koli Jean Bofane’s Congo Inc. (2014), and Fiston Mwanza Mujila’s Tram 83 (2014). I also examine how Mobutu interpolated Maoism into his dictatorship. I argue that whereas the Cold War produces figures such as the Maoist guerrilla, the radical intellectual, and the authoritarian leader, Chinese investment in the DRC facilitates the rise of new figures such as the mondialiste and the economic tourist. As a result, Third Worldism is ironically recast through the lens of a mutual “win-win” for development. This lens masks a new era of extractivism that produces its own social dislocations, which lends Pierre Mulélé’s Maoist-inspired rebellion a paradoxical relevance to DRC-PRC relations at the beginning of the twenty-first century.