From electrography to expanded graphics: a vision on digital printmaking today and its hybridization processes

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Hortensia Mínguez García, Carles Méndez Llopis
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引用次数: 0

Abstract

This article outlines how, with the introduction of electrographic processes, engravers have broadened their way of thinking and producing their art in relation to the concept of expanded graphic. After delimiting the term electrography and describing its historical development, the text exposes how hybrid practices have expanded the margins of graphics in a post-digital world. They have opened the way to different lines of action that have been popularizing some terms – mainly, in Spanish –, such as intangible matrix, digital print or digital printing. In this way, we will be able to observe the expansion of these languages, their theorization and their implementation through several artworks that will show the discursive possibilities of graphics, from this extended hybridization to other fields, helping to describe different ways of understanding the creative processes of contemporary electrographic art.
从电描记术到扩展图形:对当今数字版画及其杂交过程的展望
本文概述了随着电子图形工艺的引入,雕刻师如何根据扩展图形的概念拓宽了他们的思维方式和艺术创作方式。在界定了“电描记术”一词并描述了其历史发展之后,本文揭示了混合实践如何在后数字世界中扩大了图形的边缘。他们为不同的行动路线开辟了道路,这些行动路线一直在推广一些术语——主要是西班牙语——例如无形矩阵、数字印刷或数字印刷。通过这种方式,我们将能够通过几件艺术品来观察这些语言的扩展、它们的理论化和实施,这些艺术品将展示图形的话语可能性,从这种扩展的杂交到其他领域,有助于描述理解当代电子图形艺术创作过程的不同方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Artnodes
Artnodes HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
26
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