The Studio PANaroma and Electroacoustic Music in Brazil

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2022-06-01 DOI:10.1162/comj_a_00635

Flo Menezes

引用次数: 2

Abstract

Abstract This article discusses the foundation of Studio PANaroma de Música Eletroacústica in São Paulo in 1994, an institution of the São Paulo State University and one of the most active research and production centers in the area in the world, contextualizing its conception with the internationalist tendencies present since the beginning of modernism in Brazil. To this end, the text discusses the notion of cultural anthropophagy, as formulated by Oswald de Andrade; discusses a brief history of the first initiatives in the field of electroacoustic music in Brazil; and focuses on the historical importance and the particularity of the Studio PANaroma, which substantially changed the development of electroacoustic music in the country. The studio's activities are described, including the founding of the studio's loudspeaker orchestra, as well as the studio's main research activities.

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PANAROM工作室与巴西电声音乐

摘要本文讨论了1994年在圣保罗成立的Música Eletroacústica工作室的成立，该工作室是圣保罗州立大学的一个机构，也是世界上该地区最活跃的研究和生产中心之一，并将其概念与巴西现代主义开始以来的国际主义趋势相结合。为此，本文讨论了奥斯瓦尔德·德安德拉德提出的文化人类学概念；讨论了巴西电声音乐领域的第一批举措的简史；并着重论述了PANAROM工作室的历史意义和特殊性，它极大地改变了我国电声音乐的发展。描述了工作室的活动，包括工作室扬声器管弦乐队的成立，以及工作室的主要研究活动。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.