THE IMPORTANCE OF UNIVERSALS IN THE FORMATION OF THE COGNITIVE GAP IN THE STORY BY A. N . TOLS TOY «PETER’S DAY »

Валентина Мусий
{"title":"THE IMPORTANCE OF UNIVERSALS IN THE FORMATION OF THE COGNITIVE GAP IN THE STORY BY A. N . TOLS TOY «PETER’S DAY »","authors":"Валентина Мусий","doi":"10.18524/2312-6809.2018.27.146421","DOIUrl":null,"url":null,"abstract":"The study tested the images of the elements (water, land and air) in connection with the solution of the problem of cognitive gap as the basis of the central conflict in the story. The purpose of the article is to designate the universal codes of the nation and Peter the Great. The benefits of such way of investigation are in enabling the transition from the historical, socio-political level of interpretation of this story to the cultural and ontological levels. Among the main literary scholarly strategies in the study are mythopoetic, imago-logical, and textological. As the attention was focused on mental structures that regulate the world outlook and world perception, the author also relied on the methodology of cognitive psychology. It is established that with the image of Peter are connected the elements of water and air (wind). With the Russian people, who does not accept the actions of Peter, considering him «alien», — such element as the earth. Rebuilding the land, Peter, as the people be-lieve, Peter violates the will of God, so he is the antichrist. Attention is drawn to the lack of unambiguous evaluation of Peter in the story. The elements of the air and the water, which are connected with him in the story, are the symbols of change, movement and life. As a result the tragedy of the conflict in the story is explained not by the contradiction of the elements, but by the inability of the parties to understand each other and find ways to consent, overcome the cognitive disjoin. The tragic character of the situation is especially obvious in the last episode of the story. It is the meeting of Peter and of Barlaam, who was tortured at the request of the tsar. Peter acknowledges that they are not able to negotiate, and Barlaam considers him as a martyr, as he himself. In 1918 the author could not imagine the ways to bridge such gap.","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Problemi suchasnogo literaturoznavstva","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18524/2312-6809.2018.27.146421","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The study tested the images of the elements (water, land and air) in connection with the solution of the problem of cognitive gap as the basis of the central conflict in the story. The purpose of the article is to designate the universal codes of the nation and Peter the Great. The benefits of such way of investigation are in enabling the transition from the historical, socio-political level of interpretation of this story to the cultural and ontological levels. Among the main literary scholarly strategies in the study are mythopoetic, imago-logical, and textological. As the attention was focused on mental structures that regulate the world outlook and world perception, the author also relied on the methodology of cognitive psychology. It is established that with the image of Peter are connected the elements of water and air (wind). With the Russian people, who does not accept the actions of Peter, considering him «alien», — such element as the earth. Rebuilding the land, Peter, as the people be-lieve, Peter violates the will of God, so he is the antichrist. Attention is drawn to the lack of unambiguous evaluation of Peter in the story. The elements of the air and the water, which are connected with him in the story, are the symbols of change, movement and life. As a result the tragedy of the conflict in the story is explained not by the contradiction of the elements, but by the inability of the parties to understand each other and find ways to consent, overcome the cognitive disjoin. The tragic character of the situation is especially obvious in the last episode of the story. It is the meeting of Peter and of Barlaam, who was tortured at the request of the tsar. Peter acknowledges that they are not able to negotiate, and Barlaam considers him as a martyr, as he himself. In 1918 the author could not imagine the ways to bridge such gap.
普遍性在阿故事中认知差距形成过程中的重要性。托尔斯玩具《彼得的一天》
该研究测试了与解决认知差距问题有关的元素(水、土地和空气)的图像,这是故事中核心冲突的基础。这篇文章的目的是指定国家和彼得大帝的普遍法典。这种调查方式的好处是能够从对这个故事的历史、社会政治层面的解释过渡到文化和本体层面。在这项研究中,主要的文学学术策略包括神话学、意象学和文本学。由于注意力集中在调节世界观和世界感知的心理结构上,作者也依赖于认知心理学的方法论。可以肯定的是,彼得的形象将水和空气(风)的元素联系在一起。与俄罗斯人民,谁不接受彼得的行动,认为他是“外星人”,这样的元素如地球。重建土地,彼得,正如人民所相信的,彼得违背了上帝的意愿,所以他是反基督的。人们注意到故事中对彼得缺乏明确的评价。空气和水的元素在故事中与他联系在一起,是变化、运动和生命的象征。因此,故事中冲突的悲剧不是由元素的矛盾来解释的,而是由双方无法理解彼此,无法找到同意的方法,无法克服认知上的脱节。这种情况的悲剧性在故事的最后一集中表现得尤为明显。这是Peter和Barlaam的会面,Barlaam在沙皇的要求下遭受了酷刑。彼得承认他们无法谈判,巴勒姆认为他和他自己一样是烈士。1918年,作者无法想象如何弥合这种差距。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
审稿时长
12 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信