Gods in Patnakalam: Tradition and Modernity in Colonial Art

IF 0.1 Q4 AREA STUDIES

History and Sociology of South Asia Pub Date : 2022-05-06 DOI:10.1177/22308075221098263

Saumya Garima Jaipuriar

引用次数: 0

Abstract

The appearance of Hindu gods was an essential feature of various indigenous Indian art tradition. The rise of hybrid Indo-Western art schools, notably Patnakalam heralded a fundamental shift in the way gods appeared in art and the meaning their iconography carried. This may be understood as one of the ways in which a kind of modernity took shape in nineteenth century Indian art.

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帕特纳卡拉姆的众神:殖民艺术的传统与现代

印度教诸神的出现是印度土著艺术传统的一个基本特征。印度-西方混合艺术流派的兴起，尤其是帕特纳卡拉姆艺术流派，预示着神在艺术中出现的方式及其肖像所具有的意义的根本转变。这可以理解为一种现代性在19世纪印度艺术中形成的方式之一。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

History and Sociology of South Asia AREA STUDIES-

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期刊介绍： History and Sociology of South Asia provides a forum for scholarly interrogations of significant moments in the transformation of the social, economic and political fabric of South Asian societies. Thus the journal advisedly presents an interdisciplinary space in which contemporary ideas compete, and critiques of existing perspectives are encouraged. The interdisciplinary focus of the journal enables it to incorporate diverse areas of research, including political economy, social ecology, and issues of minority rights, gender, and the role of law in development. History and Sociology of South Asia also promotes dialogue on socio-political problems, from which academicians as well as activists and advocacy groups can benefit.