{"title":"A survey of Nasir Al-Molk Mosque in Shiraz based on the Aesthetics of Islamic Art","authors":"Samira Ashari, Amin Maleka","doi":"10.29019/eidos.v15i21.1020","DOIUrl":null,"url":null,"abstract":"As one of the most significant buildings of Islamic architecture, Mosque has passed its process of formation, evolution, or decline over the years influenced by static and dynamic spatial and temporal sub-systems. Principles and criteria of aesthetics in Islamic architecture include form and shape, light and color, decoration and symbols. These principles are not fixed and unchangeable but are different for each region, culture and tradition, architect and building. Our knowledge about mosque design will be enhanced by considering the importance of studying these works and having accurate knowledge about the creators of these works intellectually and practically, which can pave the way for a more precise architecture design in today's mosques. This study aims to investigate the elements used in the architecture of the Nasir-ol-Molk Mosque in Shiraz based on Islamic aesthetics. Accordingly, the major raised questions are: what are the fundamentals used by the builders in the construction of Nasir-ol-Molk Mosque? Did the builders use Islamic aesthetic principles in the construction of this building? The current study is descriptive-analytical in terms of methodology. Subsequently, the information was collected through the study of related documents in the framework of the library, observation, and field methods. This study shows that Iranian aesthetics and Islamic aesthetics have impacted Nasir-ol-Molk Mosque. All the necessary elements for a sense of spiritual peace have been gathered in this mosque. The juxtaposition of light, color and the scientific support of particular importance have an aesthetic perspective, and there is a complementary connection between them.","PeriodicalId":52397,"journal":{"name":"Eidos: A Journal for Philosophy of Culture","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eidos: A Journal for Philosophy of Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29019/eidos.v15i21.1020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
As one of the most significant buildings of Islamic architecture, Mosque has passed its process of formation, evolution, or decline over the years influenced by static and dynamic spatial and temporal sub-systems. Principles and criteria of aesthetics in Islamic architecture include form and shape, light and color, decoration and symbols. These principles are not fixed and unchangeable but are different for each region, culture and tradition, architect and building. Our knowledge about mosque design will be enhanced by considering the importance of studying these works and having accurate knowledge about the creators of these works intellectually and practically, which can pave the way for a more precise architecture design in today's mosques. This study aims to investigate the elements used in the architecture of the Nasir-ol-Molk Mosque in Shiraz based on Islamic aesthetics. Accordingly, the major raised questions are: what are the fundamentals used by the builders in the construction of Nasir-ol-Molk Mosque? Did the builders use Islamic aesthetic principles in the construction of this building? The current study is descriptive-analytical in terms of methodology. Subsequently, the information was collected through the study of related documents in the framework of the library, observation, and field methods. This study shows that Iranian aesthetics and Islamic aesthetics have impacted Nasir-ol-Molk Mosque. All the necessary elements for a sense of spiritual peace have been gathered in this mosque. The juxtaposition of light, color and the scientific support of particular importance have an aesthetic perspective, and there is a complementary connection between them.
清真寺作为伊斯兰建筑中最重要的建筑之一,在静态和动态的时空子系统的影响下,经历了多年的形成、演变或衰落过程。伊斯兰建筑美学的原则和标准包括形式和形状、光和颜色、装饰和符号。这些原则不是固定不变的,而是因地区、文化和传统、建筑师和建筑而异。考虑到研究这些作品的重要性,以及在智力和实践上准确了解这些作品的创作者,我们对清真寺设计的了解将得到加强,这将为当今清真寺更精确的建筑设计铺平道路。本研究旨在以伊斯兰美学为基础,探讨设拉子Nasir ol Molk清真寺建筑中使用的元素。因此,提出的主要问题是:建筑商在建造Nasir ol Molk清真寺时使用的基本原理是什么?建筑商在建造这座建筑时使用了伊斯兰美学原则吗?目前的研究是从方法论角度进行描述性分析。随后,在图书馆、观察和实地方法的框架下,通过研究相关文件收集了信息。本研究表明,伊朗美学和伊斯兰美学对纳西尔·莫尔克清真寺产生了影响。在这座清真寺里,聚集了精神平静感的所有必要元素。光、色彩的并置和特别重要的科学支持有着美学的视角,它们之间有着互补的联系。