{"title":"‘A black day, this’: Irish poetry and the fall of Srebrenica","authors":"Rióna Ní Fhrighil","doi":"10.1080/17521483.2022.2075168","DOIUrl":null,"url":null,"abstract":"ABSTRACT The Bosnian War elicited a substantial number of poetic responses from Irish poets, writing in both English and in Irish. This article focuses on one frequently anthologized poem in particular, namely the poem ‘Dubh’ [‘Black’] by Nuala Ní Dhomhnaill, written on the fall of Srebrenica, 11 July 1995. A close reading of this poem is set in the context of both the United Nations response to the war in Bosnia and the Irish government’s response. Relevant legal instruments and sources of international law are referenced to illuminate those aspects of the poem that evidence a penetrating analysis of events in Srebrenica. This article contends that poetry that responds to human rights violations should not be understood in terms of empathy and affect alone; such poetry can fulfil an analytical function that serves to hold the human rights regime itself to account.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":"16 1","pages":"8 - 27"},"PeriodicalIF":0.3000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2022.2075168","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The Bosnian War elicited a substantial number of poetic responses from Irish poets, writing in both English and in Irish. This article focuses on one frequently anthologized poem in particular, namely the poem ‘Dubh’ [‘Black’] by Nuala Ní Dhomhnaill, written on the fall of Srebrenica, 11 July 1995. A close reading of this poem is set in the context of both the United Nations response to the war in Bosnia and the Irish government’s response. Relevant legal instruments and sources of international law are referenced to illuminate those aspects of the poem that evidence a penetrating analysis of events in Srebrenica. This article contends that poetry that responds to human rights violations should not be understood in terms of empathy and affect alone; such poetry can fulfil an analytical function that serves to hold the human rights regime itself to account.
期刊介绍:
Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.